Inga Muscio Quotes
Quotes to Explore
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Even as a kid, I read 'Jung – Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
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I wrote for nearly six hours. When I stopped, the dark mood, as if by magic, had folded its cloak and gone away.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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In the experience of art, time seems not to exist.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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I'm not politically correct.
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If past history was all there was to the game, the richest people would be librarians.
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To do a really good interview, you have to be truly interested in the person.
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Passivity is fatal to us. Our goal is to make the enemy passive.
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If you respect a language and culture, it shows in your work.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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I don't know if I would call myself a religious human.
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People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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My whole thing is being sexy without showing too much, because that's my comfort level.
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Others can inspire you, but ultimately the only thing that empowers you is what lies within you and learning how to better utilize what you’ve been given.
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Knowledge comes, but wisdom lingers. It may not be difficult to store up in the mind a vast quantity of facts within a comparatively short time, but the ability to form judgments requires the severe discipline of hard work and the tempering heat of experience and maturity.
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I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind.
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It is by work that man carves his way to that measure of power which will fit him for his destiny.
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And so about many other things of the same nature, we are trying to make people believe these things, and we make creeds of them; and thus we continue to do our own will, which is the ground of all sin.
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I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
