Sam Shepard Quotes
When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material.
Quotes to Explore
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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I actually think I have an audience member's sensibility about going to the movies.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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It's a fact that kids watch TV. But if you think back, when you watched cowboy movies, you would go out and play cowboys. TV and movies motivate people.
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I think that a lot of guys reach for electronics first, but the truth is that you can never keep up with electronics. You buy a flat-screen TV, and then six months later, there's one that has 3D and Blu-ray and all this business, and that is just going to keep continuing.
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Being well-dressed is a wonderful thing, but I don't think it should be life threatening.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.
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Major film stars tend to do a film and then have a couple of months off. I'm not a major film star; I'm a jobbing actor.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.
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I don't think I'd ever make an album of just covers because I love writing my own music.
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When I'm in the U.K. – and I'm here more than people would think – I tend to keep a very low profile.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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It's not just the small-potatoes post-9/11 Homeland spending that feels a little off mission. It's the big-ticket stuff too.
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A basic ingredient in the manufacture of perfume, the attar-a heavy, pale-yellow oil stored in small metal drums-had been put up as collateral by Bulgaria, in lieu of gold, at the Moscow Narodny Bank, a Communist finance house for East-West trade.
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It's very exciting to be able to just work in this business, let alone on stuff you are extremely proud of. So it does make me a little nervous, because 'Breaking Bad' is so special. It's great being part of something so great because people pay attention to you, hopefully because you're doing good work.
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From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
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I'm kind of a homebody. My husband says I like to just stay home and do nothing, but that's just how I am.
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When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material.
