Eric Heisserer Quotes
The beauty with comics - and also the risk - is it is a far smaller number of voices. It's the writer and the artist and to a lesser extent the editor, who typically is the silent partner, if you've got a good enough team. Whatever you put out is the author's intent. You have to be able to defend that, of course. You have no one to hide behind, or no one to blame but yourselves, which I find refreshing because I've found in film too many times I've been blamed for other people's decisions.
Quotes to Explore
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Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
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I have as much artistic freedom in my television work as I have in my films.
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The thing that's good about music-making software like the DAW-kinda systems is that they're all generally the same; the kind of interface is normally laid out in a similar way. Depending on the program, the sounds might be quite different, but they tend to all have a drum machine or synthesizer or a sampler.
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With its imagination and large sales, Apple has become the world's most valuable IT company. However people are starting to have doubts regarding Apple's silence on heavy metal pollution problems.
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Even though I resigned as Papandreou's adviser early in 2006 and turned into his government's staunchest critic during his mishandling of the post-2009 Greek implosion, my public interventions in the debate on Greece and Europe have carried no whiff of Marxism.
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The Supreme Court of the United States... has validated the Nazi method of execution in... concentration camps, starving them to death.
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I am not God. Nor am I Phantom. I am ready to accept any criticism. I have been in politics for decades. Each and every day, in several media, there is criticism of me.
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A lot of my music has ambiguity and room for people to interpret.
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I like a little bit of a rough look because it's sexy. But when a man has a rough look, and he goes and gets a cleanup, then it's very sexy as well.
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Our response has been, 'Well, let's then make an effort to get the Israelis and the Palestinians to sit around the table.' That hasn't happened. So we only have ourselves to blame for this crisis.
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I'm hopeless at small talk and have a problem making eye contact.
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Social media is simply a tool that facilitates actions.
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I am trying to persuade my family to spend more time in China. It's no fun to be in exile. I can't even figure out the basic 26 letters, let alone operate, in English. I often feel that although I've found the sky of freedom above my head, I've lost the soil I stand on. I need to be back in my motherland, where I can find inspirations.
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The stuff I write I'm very proud of, but I'm smart enough to know I'll never get on the cover of 'Rolling Stone' next to Elvis Costello.
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Verily wondered what the man could have the audacity to say, in the face of such evidence-what whining, sniveling complaint or protest he might utter.
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I love Japanese and Thai food, especially seafood, and eat out with my wife two or three times a week.
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If you were the President of the United States or the Queen of England - you couldn't have a person who would be more protective than my mother was for me. Which meant really that I could dare to do all sorts of things.
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There is a certain sense of loss when a series ends.
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Bono is no longer supporting the prime minister's position...niether are canadians.
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I'm for the individual as opposed to the corporation. The way it is the individual is the underdog, and with all the things a corporation has going for them the individual comes out banged on her head. The artist is nothing. It's really tragic.
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It's hard to be an artist. It's hard to be anything. It's hard to be.
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The risk climate of modernity is thus unsettling for everyone: no one escapes.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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The beauty with comics - and also the risk - is it is a far smaller number of voices. It's the writer and the artist and to a lesser extent the editor, who typically is the silent partner, if you've got a good enough team. Whatever you put out is the author's intent. You have to be able to defend that, of course. You have no one to hide behind, or no one to blame but yourselves, which I find refreshing because I've found in film too many times I've been blamed for other people's decisions.
