Vincent D'Onofrio Quotes
Quotes to Explore
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How small a part of time they share, That are so wondrous sweet and fair!
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I don't have any problem with being the guy whose album people put on when they're feeling sad.
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While we somehow understand revenge on an intuitive level between individuals, I do suspect that companies, assuming that people are rational, completely miss and underestimate the motivation people have for revenge.
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I think studies are really important and shouldn't be compromised.
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Though we may know Him by a thousand names, He is one and the same to us all.
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It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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The death of my kid made me a stronger person. There's no end to what I'm willing to do.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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Experiencing sadness and anger can make you feel more creative, and by being creative, you can get beyond your pain or negativity.
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I'm not a collector. I toss things out all the time.
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I was always looking for evidence of these common musical roots, but I was too young to know that what I was doing was called ethnomusicology.
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Whatever we do from government, we need to do what's best for America. If we do that, that's bringing power back to the people.
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I hope to continue building my acting career and work more on projects that fulfill my artistic thirst.
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There are so many different camps about what being gay means. The danger comes when each one is so rigid that it sees itself as the true picture.
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I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
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I always thought I should be treated like a star.
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A lot of people love the idea of improvising but are terrified of it, so I tried to make a book that was not a chef's book about improvising but a real home cook's book with a real home cook's pantry, supermarket ingredients, that sort of thing.
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The reality of most software development is that the consequences of failure are simply nonexistent.
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The problem of the environment is the extension of good housekeeping of the thinking woman.
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I oscillate between life and death, happiness and sadness, good and evil.
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I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
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Oil is largely our energy past, and Keystone does little to respond to the actual challenges and opportunities before us.
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But the one thing that I did do was establish myself as a good actor.
