Eric Maisel Quotes
A creative block is a fear about the future, a guess about the dangers dwelling in the dark computer and the locked studio.
Quotes to Explore
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I was born into a world where a lot of people who came to the house were performers.
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The U.S. economy and workers benefit from a strong, healthy relationship between government and business.
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Futurism eventually got marred by its link to Fascism, but early on, it was totally avant-garde, and I wanted to dream a phantom link from the early futurists to the politically radical Italy of the 1970s, a time of fun, play, subversion - if also violence and mayhem.
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Politics colours everything, and anyone who wants change is necessarily political. As an environmental campaigner more or less since I left school in the early '90s, I have always been involved in lobbying, campaigning and pushing for changes.
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At some particular time, when I was 14 years old, I've done something that people didn't expect.
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I would trade all the individual awards I've won for a World Cup.
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A lot of people are angry about the democratic abuses that have been committed by the Spanish government.
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The thing I don't like about detective stories is looking for criminals.
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I'm not the biggest Miley Cyrus fan. I'm not the risque type.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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I will count to 10 before tweeting.
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You are not a problem that needs solving.
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As much as we would like to deny it, reading is not vital to human survival.
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Nine times out of ten, in the arts as in life, there is actually no truth to be discovered; there is only error to be exposed.
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I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.
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I am interested in agricultural corporations and how they function. The idea that they own the genetics of our food supply is a really compelling thing to me.
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You know, I've always tried to look at things as just what the part was. I never tried to worry about whether it was the lead or not the lead, because I think you can really mess your mind up when you're too caught up in those things.
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There's something about the Irish that is remarkable.
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Boxing is just to introduce me to the struggle. Like, when I speak I draw people in the States to teach them various things or to give them dignity, pride and self-help. I have to help the dope and prostitution problem.
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I think that there's no doubt that to work in film is a bit more of a creative journey. It's not that I don't put the same time or heart into something that's on television.
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To strive with an equal is dangerous; with a superior, mad; with an inferior, degrading.
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There is no reason for women to trail behind men in social, economic, and political outcomes.
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A creative block is a fear about the future, a guess about the dangers dwelling in the dark computer and the locked studio.
