Eric Staal Quotes
I play hard and aggressive. I don't lay out the huge body checks because it's not really the style I play. But I love to be around the net and love battling corners and trying to dish pucks out.
Quotes to Explore
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I'm not coming back to play.
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I was taught to play that way when I was in high school and even before I got to high school.
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I love my real mom and dad; I love them both equally.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I love to read, and I love Martina Cole.
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For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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After ten or twelve years you can only play something so long and then you start to parody it.
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My first part in a play was one of the witches in 'Macbeth.'
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One of the advantages of appearing in such a play is that you begin to understand it properly, I feel Ophelia's tragedy was that she had been so used by everybody and felt that she bore a great burden of guilt.
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I love actors.
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I'm rarely asked to play the smartest man in the room.
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I didn't have any friends. I was bullied. I didn't play sports.
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I love hecklers. They remind you that you are a comedian.
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I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.'
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Every night I play as if my life depends on it.
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There is nothing wrong with trying to exploit the natural human tendency to become impatient when forced to play a boring position.
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We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.
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The last act is bloody, however pleasant all the rest of the play is: a little earth is thrown at last upon our head, and that is the end forever.
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Even the worst feeling, with time and familiarity, became tolerable.
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When you work as a day player on a film or a TV thing, like you're visiting a foreign country, where you know a couple of words of the language and a few of the cultural abnormalities, but basically you're a stranger in a strange land.
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We are not all the same; we don't think alike; and we have the right to openly express those differences in ways that, hopefully, will contribute to our community's welfare.
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You can't make a movie for everybody. You can't go into it trying to alienate people, but you have to assume that you're going to.
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I play hard and aggressive. I don't lay out the huge body checks because it's not really the style I play. But I love to be around the net and love battling corners and trying to dish pucks out.
