Erik Johansson Quotes
I'm a photographer and retoucher from Sweden. I use photography as a way of collecting material to realize the ideas in my mind.
Quotes to Explore
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I don't really care about gossip. I care about building great businesses.
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Some people collect stamps, other people like to be famous. I don't have that hobby.
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Until 45 I can play a woman in love. After 55 I can play grandmothers. But between those ten years, it is difficult for an actress.
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Every fight and every loss taught me something.
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To be honest, whenever I go to shoots, or I'm on set, it really makes makeup special and allows me to have so much more fun with it – I don't wear it on an everyday basis, because I like my skin to breathe.
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The older I get, the more I appreciate the idea of being thrown together with a group of people you might have a lot in common with, or nothing at all. You don't have the option of doing anything other than making your family relationships work - forever. I like that.
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The final frontier of the digital technology is integrating into your own brain.
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Speaking much also is a sign of vanity; for he that is lavish in words is a niggard in deeds.
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People would look at me weird. You know, like, 'Why is this guy's hands always in his pockets?' But I was embarrassed by the size of my hands.
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We went all dark and grimy for 'Riverdale.'
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Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.
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Most germs aren't bad. You're in a microbial environment all the time.
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Acting is reacting, and it's always easier to react when someone is doing a good job.
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I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.
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I absolutely refuse to accept the fact that any country in the world goes into a kind of film-making crisis. What happens is they lose confidence, they lose focus and the young film-makers of any particular generation can very easily get lost in that mix. It's happened in Italy, happened in France, happened in the U.K. during my lifetime.
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I've never known how to censor myself. I say what I want at any time.
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I've worked with some teachers and coaches over the years, but I didn't really study theater or technique or voice or any of that stuff extensively.
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Social Security, for example - I'm 43. I've paid into the system. You know what? That money has been stolen from me. I know that my parents who are on Social Security - they've got to continue to receive it. They're dependent on it. It is their primary source of income.
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Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
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I have come to realize that Jesse Helms stands for everything in politics that is anathema to me.
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Boredom, anger, sadness, or fear are not 'yours,' not personal. They are conditions of the human mind. They come and go. Nothing that comes and goes is you.
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Conventional dogmas, even if endowed with the authority of an Aristotle - ancient or modern - must be tested vigorously. If they are found wanting, we need not bother with them. But if they are found to be substantially correct, we may not overlook them.
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I'm a photographer and retoucher from Sweden. I use photography as a way of collecting material to realize the ideas in my mind.
