Bridget Carpenter Quotes
There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.
Quotes to Explore
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Today people who hold cash equivalents feel comfortable. They shouldn't. They have opted for a terrible long-term asset, one that pays virtually nothing and is certain to depreciate in value.
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My worst date would be with someone nervous who has nothing to say. I like people who inspire me.
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For me, there are no my people and strangers, no bad people and good people. All people are equal for me.
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No one plans to get sick or hurt - I certainly didn't - but most people will need medical care at some point in their lives.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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When you're a child, you're able to assimilate so easily into any situation. You even start talking like the people you're around. I wasn't conscious that I was so good at that until I started to truly feel like an actor.
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People are ruthless, man.
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Loving people live in a loving world. Hostile people live in a hostile world. Same world.
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No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.
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Fifty years of isolating Cuba had failed to promote democracy, setting us back in Latin America. That's why we restored diplomatic relations, opened the door to travel and commerce, and positioned ourselves to improve the lives of the Cuban people.
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We cannot teach people anything; we can only help them discover it within themselves.
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I'm a businessman. I work for business people. The kind of thing they say is: Now we've sold a lot of records, let's sell some more.
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I think whenever people talk about the 'Anna Sui woman,' they're talking about someone that's probably kind of more downtown, and there's always like this ambiguity: Is she a good girl, or a bad girl?
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The only way to change is to vote. People are responsible.
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Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.
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If you offer athletes stipends, then you're into pay-for-play, and that's the ballgame. People should realize that, and they should realize that amateurism never has been a sustainable model for a sports-entertainment industry. It wasn't in tennis. It wasn't in the Olympics. And it's not in big-time college sports.
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The reason I do photographs is to help people understand my music, so it's very important that I am the same, emotionally, in the photographs as in the music. Most people's eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they'll understand the music.
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One of the first things I said to my kids and we all agreed upon when we first started shooting the show was if we're going to do this, we're all in. We're not going to worry about editing ourselves. So that's what you see. It's raw, and it's real, and it's footage that hopefully people learn from some of our experiences.
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I see too many celebrity kids who can't sing. If you don't have it, give it up, because people are brutal. I never want my kids to feel like they have to live up to what I've done.
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For me, literature is a way of enlarging myself by learning about people who are not like me.
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As I have often said, electrons and gerbils don't cheat. People do.
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I learnt a whole lot from my mother. About music, relationships, being a good person, loving people, the whole of life. I learnt about everything from her. Every single day I think about her. All through the day.
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What's great about games in particular is that it's a socially acceptable way for adults to imagine.
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There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.
