Ernest Sosa Quotes
The data on which philosophical theorizing is based are rather the intuited contents themselves, concerning the various thought experiments. At least that is so outside the epistemology of the a priori.
Quotes to Explore
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How do you play 'righteous'? Do you just kind of stand up straighter? What does that mean as an actor? You don't really play a quality.
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What I find fascinating is the idea that we all have a physical brain, but we also have this mental part, and we have to figure out how they work together.
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I think singing and acting go hand in hand. Take an R&B singer: one song says, 'I love you,' the next is, 'Baby, don't leave me', the next is, 'If you leave me I don't care.' You have to drop in and out of different perspectives.
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We'd all like to believe that perhaps people could stop killing each other.
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One of the most important things, actually, when you're playing on grass, is to move.
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I've been most happy to be an advocate for the kinds of grassroots things that people are doing who care about poetry.
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Bradman is a whole class above any batsman who has ever lived: if Archimedes, Newton and Gauss remain in the Hobbs class, I have to admit the possibility of a class above them, which I find difficult to imagine. They had better be moved from now on into the Bradman class.
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The distrust of wit is the beginning of tyranny.
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This first stage of the life of the whole race is savagery, raw nature:… a condition in which man enjoys the most exquisite goods, equality and freedom, in full abundance, and would also enjoy them forever, if he would follow the hint of nature and understand the art of not abusing his powers and preventing the outbreak of his excessive passions.
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Where choice begins, Paradise ends, innocence ends, for what is Paradise but the absence of any need to choose this action?
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I was very, very naughty in school.
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I like that show 'Ray Donovan' - I'm obsessed with that. He's in Hollywood, he's some kind of a fixer, but he's also kind of a thug. And 'Scandal,' the D.C. one with Kerry Washington.
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We've digressed from the true meaning of life. We have replaced the Creator with money and claim Him in the name of war. We have dishonored our children.
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I don't see myself as a great discoverer of artists, like Charles Saatchi.
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I always want to live long enough to finish the book I'm working on and see it published. But then I start another book before the previous one is in the stores, so I always have a reason to go on.
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'Arrival' talks very little about language and how to precisely dissect a foreign language. It's more a film on intuition and communication by intuition, the language of intuition.
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I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation.
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'A slave is one who must produce wealth for another,' the Brain said. 'There is only one true wealth in all the universe. I have given you some of it. I have given your father and your mate some of it. And your friends. This wealth is living time. Time. Are we slaves because we have given you more time to live?'
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In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
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I loved playing Anne Bancroft, because she was so wonderfully arch.
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Historically, science and society have gone separate ways, although society has provided the funds for science to grow, and in return, science has given society all the material things it enjoys.
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If you double the number of experiments you do per year you're going to double your inventiveness.
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The data on which philosophical theorizing is based are rather the intuited contents themselves, concerning the various thought experiments. At least that is so outside the epistemology of the a priori.
