Ernst Ludwig Kirchner Quotes
After the war 1918 etching became Kirchner's favorite medium. He attributed this to its responsiveness. 'Etchings', he wrote, 'develop in the first states the most immediate hieroglyphs. Rich in lively handwriting and rich in variety of motifs, the etchings are like a diary of the painter.'
Quotes to Explore
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From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
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Indonesia's diversity is formidable: some thirteen and a half thousand islands, two hundred and fifty million people, around three hundred and sixty ethnic groups, and more than seven hundred languages.
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I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
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I thought I had to write literature and add my name to the list of great Southern storytellers. Fortunately for me, no one wanted to read any of those stories. They got rejected by everyone. Sometimes, I would get a note saying they liked the writing, but the story simply didn't work.
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You may talk of the tyranny of Nero and Tiberius; but the real tyranny is the tyranny of your next-door neighbor.
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My dad was a designer for Upper Deck, and I had hundreds of Ken Griffey Jr. cards. Hundreds. I could have paid for college with them.
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As a child, I wanted to go into advertising. I had a love affair with the advertising industry.
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With any kind of mean girl, or anyone who bullies anyone, there's always a reason for it. There is that sadness in them or insecurity that makes them feel like they need to act out or hurt other people.
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Pioneers may be picturesque figures, but they are often rather lonely ones.
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One of the reasons I love writing for middle graders, besides their voracious appetite for books, is their deep concern for fairness and morality.
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My parents had some problems of their own that put me in a position of having to deal with very grown-up stuff at a very young age. I needed some help with that, therapy-wise.
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We either make ourselves miserable, or we make ourselves strong. The amount of work is the same.
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Knowing one thing well empowers you and gives you a set of tricks to the trade that you can apply across the board. Go deep, and it will serve you when you make your choices about where you want to leave your mark.
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I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
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One could say that in case of need, every normal and healthy woman is able to hold a position. And there is no profession which cannot be practiced by a woman.
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If you consider the definition of authenticity, it's saying something and actually doing it. I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
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Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was sill scrubbing clothes on the back porch on a washboard!
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I don't want to know about my biggest idols. I don't want to read their autobiographies, I don't want to find out what they're really like.
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'You're still the same girl. What people do doesn't change their nature.'She shook her head.… 'What they do is their nature,' she said.
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I should have been out there having a wild time like all the other girls my age, but I wasn't. I was going home every night to what was, initially, a very happy marriage.
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It has been just so in all my inventions. The first step is an intuition-and comes with a burst, then difficulties arise. This thing that gives out and then that-"Bugs"as such little faults and difficulties are called show themselves and months of anxious watching, study and labor are requisite before commercial success-or failure-is certainly reached.
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Rigorously investigated and fearlessly reported, A Crime So Monstrous is a passionate and thorough examination of the appalling reality of human bondage in today's world. In his devastating narrative, Ben Skinner boldly casts light on the unthinkable, yet thriving, modern-day practice of slavery, exposing a global trade in human lives. The abuses detailed in these pages are repugnant, but there is hope to be found: by giving voice to the victims, Skinner helps restore their dignity and makes crucial strides toward closing this shameful chapter in history.
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Each time a new disaster puts miners in the news, the press tries to make them into heroes, but they don't quite fit the bill. They don't march off to war or rush into burning buildings or rid our streets of crime.
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After the war 1918 etching became Kirchner's favorite medium. He attributed this to its responsiveness. 'Etchings', he wrote, 'develop in the first states the most immediate hieroglyphs. Rich in lively handwriting and rich in variety of motifs, the etchings are like a diary of the painter.'
