Ben Okri Quotes
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Reading is an act of civilization; it's one of the greatest acts of civilization because it takes the free raw material of the mind and builds castles of possibilities.
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The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering.
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I learned that life will go through changes - up and down and up again. It's what life does.
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Don't despair too much if you see beautiful things destroyed, if you see them perish. Because the best things are always growing in secret.
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At the heart of 'The Famished Road' is a philosophical conundrum - for me, an essential one: what is reality? Everybody's reality is subjective; it's conditioned by upbringing, ideas, temperament, religion, what's happened to you.
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To anyone who is homeless, I say, find a home.
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'The Rime of the Ancient Mariner' had a formative effect on me. I think it's one of those works that if you encounter it very early you're doubly enchanted by the beauty of the language and the strangeness of the vision. It stays with you.
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I'm conscious of a series of circles working its way through my life. And at this particular moment I have come round to the beginning of my writing cycle. It begins with poetry. There's hardly a day that goes past on which I don't write poetry.
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I am not fighting for success, just to get more beauty out of myself and share it with more people.
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You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
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The strange thing about Africa is how past, present and future come together in a kind of rough jazz, if you like.
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The fact of storytelling hints at a fundamental human unease, hints at human imperfection. Where there is perfection there is no story to tell.
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It is not important for me as a writer that you leave a piece of writing of mine with either an agreement or even a resonance with what I have said. What is important is that you leave with the resonance of what you have felt and what you thought in reaction to that.
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Our time here is magic! It's the only space you have to realize whatever it is that is beautiful, whatever is true, whatever is great, whatever is potential, whatever is rare, whatever is unique, in. It's the only space.
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I lived rough, by my wits, was homeless, lived on the streets, lived on friends' floors, was happy, was miserable.
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When I write a poem, I go into a state of self-forgetfulness, and something higher takes over; I like to call it my best self.
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I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
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We have fallen into this very mean description of humanity. Naturalism in fiction is too reductive in its definition of human beings.
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The magician and the politician have much in common: they both have to draw our attention away from what they are really doing.
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I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
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I believe in leavening. You can't have words sticking out too much, like promontories. They disturb the density. You have to flatten them, or raise the surrounding terrain.
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The higher the artist, the fewer the gestures. The fewer the tools, the greater the imagination. The greater the will, the greater the secret failure.
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Politics is the art of the possible; creativity is the art of the impossible.
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One of the greatest gifts my father gave me - unintentionally - was witnessing the courage with which he bore adversity. We had a bit of a rollercoaster life with some really challenging financial periods. He was always unshaken, completely tranquil, the same ebullient, laughing, jovial man.