Erwin Chemerinsky Quotes
But the character of every act depends upon the circumstances in which it is done. The most stringent protection of free speech would not protect a man in falsely shouting fire in a theatre, and causing a panic. . . . The question in every case is whether the words are used in such circumstances and are of such a nature as to create a clear and present danger that they will bring about the substantive evils that Congress has a right to prevent.
Quotes to Explore
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It's lovely to be considered pretty and lovely to do photo shoots, and I just love fashion. But I'm proud that I did the characters I wanted to do.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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I love ice cream, and I love chocolate.
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I think the Creator renews me.
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It's a blessing to have fans acknowledging your craft, period.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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A 501(c)3 can't lobby. A 501(c)3 can't invest in a company or build an industry. It may be that the only way to deal with climate change is to create an industry or build companies.
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I think some people are on a mission to die, and I never was.
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What does dating mean?
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In life, particularly in public life, psychology is more powerful than logic.
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My experience is that you can't possibly win against whatever the tidal wave is that's coming at you.
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Blue is the male principle, stern and spiritual. Yellow the female principle, gentle, cheerful and sensual. Red is matter, brutal and heavy and always the colour which must be fought and vanquished by the other two.
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There is a terrible conservatism, like a cancer, right in the heartlands of music-making, a tremendous resistance to change, an absolute horror of the idea that more people might connect with music. That infuriates me more than I can say.
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As we mature and grow older we collect a lot of baggage, and a lot of that stuff you collect on life's journey gets in the way of acting. My kids can imagine a character and transform in the blink of an eye. It's so simple for kids, so complex for adults.
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Anything by Lorrie Moore speaks to a certain kind of person.
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You gotta remember: the record industry, in order for it to really thrive, has got to attract great people.
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At the moment, my mother is the only one left in Glasgow, although it's certainly my home.
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It begins with the kind of story the writers want to tell. We never sit around in those retreats and say, 'We really need to make a change. Let's change this character.' Or throw a dart at the wall and see what hits. It all begins with story.
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I don't know if it's the sunshine, or the fact that I actually have a job, but I do like L.A. a lot. In New York, it can be gray and rainy and cold, and you still don't have any money, and you feel like a bad Dickens character.
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But the character of every act depends upon the circumstances in which it is done. The most stringent protection of free speech would not protect a man in falsely shouting fire in a theatre, and causing a panic. . . . The question in every case is whether the words are used in such circumstances and are of such a nature as to create a clear and present danger that they will bring about the substantive evils that Congress has a right to prevent.
