Franz Marc Quotes
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Art is nothing but the expression of our dream; the more we surrender to it the closer we get to the inner truth of things, our dream-life, the true life that scorns questions and does not see them.
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I walked along impressionist paintings in the Paris' museums, 1907 like a roe-deer in an enchanted forest, for which it has always yearned.
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Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times.
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Don't worry, I will come through, and I'm also fine as far as my health goes. I feel well and watch myself.
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Blue is the male principle, stern and spiritual. Yellow the female principle, gentle, cheerful and sensual. Red is matter, brutal and heavy and always the colour which must be fought and vanquished by the other two.
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I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
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We are staunch and true and in rather a champagne mood.
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What appears spectral today will be natural tomorrow.
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The impure men and women who surrounded me (and particularly the men), did not arouse any of my real feelings; while the natural feeling for life possessed by animals set in vibration everything good in me. from the front of World War 1..
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I make the most outrageous demands on my imagination and leave aside everything else, theory and nature study, as other people understand them. This is the only way I can work, drawing on nothing but my own faculty of imagination with I feed without stint – except in working hours.
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In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one.. .We painters know well that with the loss of his harmony of August Macke , the color in German art will become many shades paler..
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Serious art has been the work of individual artists whose art has had nothing to do with style because they were not in the least connected with the style or the needs of the masses. Their work arose rather in defiance of their times.
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Religions die slowly.
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It is impossible to explain the recent works of these 'savages' as a formal development and new interpretation of Impressionism.. .The most beautiful prismatic colors and the celebrated Cubism are now meaningless goals for these 'savages'.
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The editors of the Blaue Reiter will now be the starting point for new exhibitions.. .We will try to become the center of the new movement. The association may assume there the role of the new (Scholle).
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I am sure of one thing: many silent readers and young people full of energy will secretly be grateful to us, will be fired by enthusiasm for this book the Blaue Reiter Almanac and will judge the world in accordance with it.
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Their thinking has a different aim: To create out of their work symbols for their own time, symbols that belong on the altars of a future spiritual religion, symbols behind which the technical heritage cannot be seen. Scorn and stupidity will be like roses in their path.
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We refer with pleasure and with steadfastness to the case of El Greco, because the glory of this painter is closely tied to the evolution of our new perceptions on art.
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For days I have seen nothing but the most awful scenes that the human mind can imagine.. .Stay calm and don't worry: I will come back to you – the war will end this year. I must stop; the transport of the wounded, which will take this letter along, is leaving. Stay well and calm as I do. from the battlefield at Verdun
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Only today can art be metaphysical, and it will continue to be so. Art will free itself from the needs and desires of men. We will no longer paint a forest or a horse as we please or as they seem to us, but as they really are.
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Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding. co-authored with Wassily Kandinsky
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The harvest of your Summer 1910 is displayed on our walls. I like some of them terrifically. The 'certainty' with which most of it is done makes me feel ashamed of myself. The thousand steps that I need to take for a picture are of no advantage, as I sometimes foolishly used to think. Things must change.
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Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature.
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Who are these 'savages' in Germany? For the most part they are both well-known and widely disparaged: Die Brücke in Dresden, the 'Neue Sezession' in Berlin, and 'Die Neue Vereinigung' in Munich.