Franz Marc Quotes
I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
Quotes to Explore
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Middle school was probably my hardest time. I was trying to fit in for so long, until about junior year of high school when I realized that trying to fit into this one image of perfection was never going to make me happy.
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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Sitting on a bedroom floor crying is something that makes you feel really alone. If someone's singing about that feeling, you feel bonded to that person.
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I am not influenced by the techniques or fashions of any other motion picture company.
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Networks can typically invest tens of millions of dollars in the development of a pilot. And if they put the show on the air and it fails, that's all lost money. There's no monetization of a broken series.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I had something I was trying to say and sometimes the message is an easy transmission and sometimes it's a difficult one but I love the power of saying it so I'm gonna do it whether it's hard or easy.
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I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
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There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.
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I was told that when I'm dancing, I give off the feeling of a rainy day.
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Just living is not enough... one must have sunshine, freedom, and a little flower.
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Whenever you're writing something that's reflective, you have to put yourself through some sort of ordeal just to understand the way you're feeling.
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Adopt the pace of nature: her secret is patience.
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Our nation has abundant clean energy resources, and tapping them will generate jobs, make the air safer to breathe, and tackle climate change - the greatest environmental crisis of our time.
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When I was ten years old, I had great pride in myself, which sometimes even took the form of boasting and self-praise; although I myself did not want to, I used to assume the air of someone undertaking some great work and mighty act of heroism.
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I think that the question is very clear-cut, not only as a matter of ethics, but also as a matter of law, that a lawyer should not be aiding and abetting in a fraudulent scheme, and part of that aiding and abetting would be to draw up subsequent documents in order to conceal the true nature of the scheme from federal investigators.
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I don't like gurus. I don't like people who ask you to follow or believe. I like people who ask you to think independently.
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Life is funny. Things change, people change, but you will always be you, so stay true to yourself and never sacrifice who you are for anyone.
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There is not a week that goes by that I don't have a dream that I am back in the business.
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God wants you to be in the world, but so different from the world that you will change it. Get cracking.
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Ideas move fast when their time comes.
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I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
