Esther Earl Quotes
Quotes to Explore
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Ever since I was really little, I loved performing and being up on stage, and being the entertainment.
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Verily He answereth him who prayeth unto Him, and is near unto him who calleth on Him.
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As a writer, I was shaped by a desire to write for black people. That things were not being represented. That was my motivating force. That it has become what it has become is shocking to me. I just wanted to be able to take care of my kids.
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One of the biggest challenges for the MENA region is unemployment coupled with high population growth rates. The World Bank is committed to supporting infrastructure projects that will help with job creation across the region.
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I want to do whatever I can to survive.
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It's important for people to understand where things come or what they represent.
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It's well worth making your own harissa, but there are some very good commercial varieties.
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Sometimes I write about my own life. And sometimes I write about situations I see my friends going through. Sometimes I write about a scene I saw in a movie. I take inspiration from all different places.
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You know, everybody has a slogan, and once you beat people over the head with it so much, then that's what you'll eventually be called once you retire from the sport or whatever.
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In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a column of fire, said to have been seen above her head when she took the veil.
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There's a time to impress someone, and then there's a time to make an impression on someone.
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If you think people are against you and that you're a target, things will start appearing that way. I just go about my day, and I don't think anyone is out to get me.
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I think the older you get, the more 'let's cut to the chase' you get, 'let's quit quibbling about this, let's tell it like it is.'
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I am not a particularly thick-skinned person.
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Oil painting and color, said Michelangelo, are for 'women and the lazy.' His sharp-edged Apollonian style is the only way to beat back mother nature.
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I find the big bang, really quite fascinating. I mean, here you have all these highfalutin scientists and they’re saying it was this gigantic explosion and everything came into perfect order.
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I did a production of Macbeth in the 1960s in which I had a swordfight in the final scene. But the blade fell off my sword just as I was stabbing the guy. I ended up having to hammer him to death.
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My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
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I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.
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So many girls and boys are looking up to me, and I have to conduct myself in a way that I don't disappoint too many people and I don't generate any kind of hate or propaganda for any reason. And I think we all should do that.
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We have lost the art of living, and in the most important science of all, the science of daily life, the science of behavior, we are complete ignoramuses. We have psychology instead.
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I spent much of my life dying for somebody to help me even file for a patent or make a prototype. I understand that.
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TV-makers usually don't know much about photography.
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I want to make a difference, to help someone. And I don't know how.
