Fever Ray (Karin Elisabeth Dreijer) Quotes
When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.
Quotes to Explore
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When we assess the impact of technological changes, we tend to downplay things that happened a while ago.
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I dig all kinds of competition.
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Newspapers are busily experimenting with different models. Traditionally, and I suspect in hindsight very mistakenly, online news was free. And once given free access readers felt it was their entitlement.
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A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.
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One time I got dressed in all black, Rambo-style, and took a massive pair of bolt-cutters and nicked a military bike.
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Painting is just another way of keeping a diary.
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I don't write women who are weak or simpering.
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In terms of being a 'sneakerhead,' there was one point where I was obsessively following every sneaker blog. That's the beauty of Twitter: To get the heads up on what's coming out.
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I wrote 'Wish U Were Here' for Cody Simpson, and he invited me to perform with him on tour and be in his music video. He was shy at first. I think it's the surfer boy in him that makes him so mellow.
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None but a coward dares to boast that he has never known fear.
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Ist es denn wirklich so, dass wir jeden Dreck, der vom Westen kommt, nu kopieren müssen? Ich denke, Genossen, mit der Monotonie des Je-Je-Je, und wie das alles heißt, ja, sollte man doch Schluss machen.
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I prefer movies because the money is better and certainly because you really know where you stand when you are making movies, and I have made a lot of them: 50-something - I don't know.
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My belief is that if you start a film all the way up at level 10, you've got nowhere to go.
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I'm happy to dance with anyone, to be honest. I've had some great partners, who have all been talented. But not all of them at dancing.
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When you play the 12-string guitar, you spend half your life tuning the instrument and the other half playing it out of tune.
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They're my favorite two words these days: Oscar reject.
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I don't really know Hollywood, but living and shooting in L.A. was very motivating, inspiring. The lights, the extras, their American faces, the energy, the Orpheum Theatre. It was all very inspiring.
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I answer that question by saying: 'Why Meg Whitman' which is: I'm not a career politician. I spent 30 years in business. I can tell you that people in California have had it with career politicians: they are done.
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Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.
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The government is not doing anything to help the country to heal. The government is just making cosmetic changes.
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God is real. God is in me and in my life. I've been blessed, and he continues to bless me, and that is one thing that I will always know for sure.
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Could she learn to like this guy? "“It's nice to meet you." Kylie plastered a warm expression on her face. But she worried he could tell it was a sham. "The pleasure is all mine," he said. Kylie just smiled. He was completely right about that.
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I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
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When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.
