Buck Brannaman Quotes
The road may bend out of sight at times, but I know what lies ahead: the faraway horses.
Quotes to Explore
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You know, I am a Leo. Lion is a giant part of me.
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I always do my interviews face to face.
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The words of truth are always paradoxical.
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Our goal definitely isn't to sell Stripe.
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I don't do anything political on Sundays.
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That's my opportunity to hide behind that old lady and say what I want to say.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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Perhaps 10 percent of patients who are prescribed antidepressants are really benefiting from the drugs' active ingredients.
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The journey that I have undertaken, meeting people from all walks of life and learning from them, has been my biggest achievement.
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I love a man who can wear my underwear.
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Families always stay the same, but they always provide more stories.
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I'm a huge fan of Flying Lotus. I like The XX's stuff.
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How do we live the writer's life? There's only one simple answer: 'we write.'
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One learns how to change gears within a concert repertoire.
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The whole mystery of commodities, all the magic and necromancy that surrounds the products of labor as long as they take the form of commodities, vanishes therefore, so soon as we come to other forms of production.
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I guess being French, I love Hollywood. I love Hollywood movies. Joseph Mankiewicz's 'All About Eve.' 'Mildred Pierce.'
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Where we can compete on merit, we do very well.
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The latest wrinkle is on wrinkles. There is a widespread belief that women can't grow old in television news.
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The last fact which knowledge can discover is that the world is a manifestation, and in every way a puzzling manifestation, of the universal will to live.
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There are so many figures in our history that did not believe they could make a change, and they did.
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I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.
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John Brown was the abolitionist to end all abolitionists. People thought he was crazy. He was like John Coltrane playing free jazz, exhausting all possibilities in his approach to harmony and improvisation.
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How do I keep my drawers from bunching up?
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The road may bend out of sight at times, but I know what lies ahead: the faraway horses.
