Karl Wallenda Quotes
Quotes to Explore
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It is not possible, given any degree of optimism and generosity in regard to people in general, to set a time limit on creative reflection or a limitation on the number of people involved in the creation.
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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My desire to experiment comes from my attention-deficit approach to cosmetics. I just get really bored, really easily.
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We're traditional and don't do cutting-edge styles, but after 17 years we're holding our own.
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There is no bore like a clever bore.
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I am going to put money into education at the expense of other programs.
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At school, I always felt the art room was the place where you could sit and talk. It was a place of solace. I wasn't the best artist at school by a long shot; it was more the understanding and the support that came from that room.
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I respect the view of a rating agency, but I do not make a budget for the rating agency. I make a budget for the people of India.
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Meanwhile, fears of universal disaster sank to an all time low over the world.
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I have dangerous bones in my body.
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I think for the last fifteen, twenty years or so, Hollywood has underestimated the appeal of the Western. I think there is still a huge market.
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You cannot be seeking yourself when you're making money.
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Thinking back on it, I've been in this business since I was 3, and I grew up in musical theater, so I was raised and surrounded by gay men and gay women. I was hardly around anyone straight.
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You can't be a woman and not be a feminist, I don't think. If you care about the world and the world you exist in and your rights.
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My take is, privacy is precious. I think privacy is the last true luxury. To be able to live your life as you choose without having everyone comment on it or know about.
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I'm not a politician and don't want any part of politics.
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The sweet mellifluous milking of the cow.
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Ow! Have mercy on my little Tulane She's too alive to try to live alone And I know her needs And although she loves me She's gonna try to make it While the poor boy's gone Somebody should tell her to live And I'll understand it And even love her more When I come back home
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We will all rise from the grave.
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When critics are waiting to pounce upon poetic style on exactly the same grounds as if it were prose, the poets tremble.
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Once you start doing a lot, you don't ever want to stop working. It feels weird if you're not doing something.
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Being on the tightrope is living; everything else is waiting.
