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I was thinking in the cab on the way here that when I did press for the original production it felt like this was what I’ve always dreamt of - to be talking about myself, and about a play that I’ve written, and to be photographed. It was what I wanted. Now it’s just part of the job.
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What's so great about the truth? Try lying for a change, it's the currency of the world.
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Alice: I don’t love you anymore. Goodbye. Dan: Since when? Alice: Now. Just now.
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Back in my 20s, I was playing poker to avoid living. I wasn’t very satisfied with life. I used to play in a big game in Archway. And we’d play as much as we possibly could and for as much money as we had, and that went on for a couple of years.
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Alice: It's the only way to leave. "I don't love you anymore. Goodbye." Dan: Supposing you do still love them? Alice: You don't leave.
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I don't love you anymore. Goodbye.
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Thank God life ends—we'd never survive it. From Big Bang to weary shag, the history of the world. Our flesh is ferocious...our bodies will kill us...our bones will outlive us.
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I think a tragedy is something where the natural order of things is completely interrupted and doesn't right itself.
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I don't want to lie. I can't tell the truth. So it's over.
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I like the varying rhythm of being a writer that you have a period of being in complete isolation where it's just you and the book and your screenplay and no-one can read it.
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That's the most stupid expression in the world. 'I fell in love'—as if you had no choice. There's a moment, there's always a moment; I can do this, I can give in to this or I can resist it. I don't know when your moment was but I bet there was one.
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Where is this love? I can't see it, I can't touch it. I can't feel it. I can hear it. I can hear some words, but I can't do anything with your easy words
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I think you owe me something for deceiving me so exquisitely.
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Everything is a version of something else.