Zachary Quinto Quotes
I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
Quotes to Explore
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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Many past products advertised in old publications can be profitably promoted all over again. Sometimes, just by giving them a new twist or modern application, you'll hit a real winner.
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There is a healthful hardiness about real dignity that never dreads contact and communion with others however humble.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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Sometimes the kids come up with better endings than the real story.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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Be careful not to start a company that really belongs as a feature of another company, like the 25 Twitter URL shortener companies out there. Pick a real problem that's here to stay.
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It's got to be harder in real life to win a World Cup. But depending on if you play World Class level on FIFA, it's going to be difficult to win in the video game, too.
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Our real focus is going to be what can we do with our existing capacities, what new things can we do, and how much more demand can we fulfil with our existing capacities.
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When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let's just make music.
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I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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There's some real dark days where you just feel like the story is falling apart in every one. Just keep moving forward, even when you are bluffing, even when you don't quite know what is going to happen next.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I've got a clear line between work and real life.
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There's something to be said in favor of working in isolation in the real world.
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I think a generation ago, dads went to work, they came home, and they had their dinner, had a drink, and then went to bed. I don't know what it was like in your house, but that is how it was in mine. I think it is cool to have the dads in the trenches and doing the real parenting work.
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It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race.
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We know about the socially complex lives of elephants: how they communicate, how they bond, how they even seem to grieve. We have ethologists in the field and activists on the ground to thank for that knowledge.
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'Community' was a very important part of my growth as an actor. I see it as my acting school, not having a lot of formal acting training.
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Yeah, I think A Confederacy of Dunces is probably the perfect New Orleans book.
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I show elements of the set in my pictures because it's not real. When I see movies, I often love the 'making of' more than the movie itself. It's not so final. When you have a woman just standing there, it doesn't mean much.
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the independence of the artist is one of the great safeguards of the freedom of the human spirit.
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I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
