Kasi Lemmons Quotes
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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I like risky stuff.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I don't like parties past 2 am. Then it's all losers and weirdos.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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I can say I love working with women. Film is a man's world, and I really appreciate the opportunity to collaborate with women, especially young women.
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Being in a Woody Allen film. I cherish it.
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Like many other kids, I liked watching anime.
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I couldn't be a royal. It's like living in a supersonic goldfish bowl.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I always felt like I'm a good one-on-one defensive player.
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I like the outdoors and the natural world. Environmental issues.
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I don't write any of my material down. I like to improvise and be spontaneous.
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Mysteries are feminine; they like to veil themselves but still want to be seen and divined.
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You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.
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We can do things that are very, very simple to us that can have a huge impact on others.
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Each time I seem to go through one of life's huge things, I want to play music.
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If I like a film, I usually appreciate the way it was made the first time.
