Zoe Kravitz Quotes
That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
Quotes to Explore
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There's such a strong community element in country - it's like a family. So I don't want to do anything that can come off, even if I'm not intentionally doing it, as giving the perception that I'm trying to abandon that family.
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This is part of what's driving me, is this feeling like there's so much yet to be discovered in the oceans, and we're destroying it before we even know what's in it.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I think how Chicago plays a role in my life - it had such a role in my youth and the decisions that I made as a kid and formulated who I am as an artist early on.
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I'm really excited about the prospect of deepening what is already a really strong relationship that I have with the people of Broward.
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You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.
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A lot of people don't realize that hair is a big thing for a lot of people, not just African-American women. It's something to be aware of and to be cautious of.
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The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
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I think becoming a scientist is the product of parents who gave me enormous opportunities to master nature.
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I'm being mocked because I don't live up to a socially determined view of what other people think a person should look like.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
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Elements and birthdays have been intertwined for me since boyhood, when I learned about atomic numbers.
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I wanted to write a story about colonization and about Hawaii. I went to college right at the height of identity politics, and that's how I always read 'The Tempest,' for example.
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The kind of people that all teams need are people who are humble, hungry, and smart: humble being little ego, focusing more on their teammates than on themselves. Hungry, meaning they have a strong work ethic, are determined to get things done, and contribute any way they can. Smart, meaning not intellectually smart but inner personally smart.
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'Fallen Too Far' was my first NYT bestseller. That changed my life.
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Young players need to know how to take care of themselves for life after baseball.
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My mother is probably the wisest person I've ever known. She's not schooled, she's not well read. But she has a philosophy of life that makes well-read people seem like morons.
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Despite what many Americans think, most Soviets do not yearn for capitalism or Western-style democracy.
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Art, to me, is the interpretation of the impression which nature makes upon the eye and brain.
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Error is to truth as sleep is to waking. I have observed that one turns, as if refreshed, from error back to truth.
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That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
