Gaetano Pesce Quotes
Quotes to Explore
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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The terrifying and edible beauty of Art Nouveau architecture.
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If architecture is frozen music then music must be liquid architecture.
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I've written extensively on Queen Victoria and Queen Elizabeth and seen up close how those women, who were born when the country hoped for a male heir, made their way as leaders.
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The whole European Federal plan is ridiculous. We are patriotic. The single currency is an outrage. We want the Queen's head - or the King's head, if we have a king - on our own coins.
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I found myself at dusk in the bewitching Roman city of Jerash with H.M. Queen Rania of Jordan one year, and scrambling with hardened paparazzi to get an image of the Princess of Wales in a tiny Nepalese clinic in the foothills of the Himalayas another.
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In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
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When I'm singing I'm always trying to get to the highest point possible. I'd fly to the top of Buckingham Palace to sing to the queen.
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My interest in architecture has always been sculptural. Most of my photography is of architecture.
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In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert.
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Millions of Spaniards have Catalonia in their hearts.
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The thing I love about Rome is that is has so many layers. In it, you can follow anything that interests you: town planning, architecture, churches or culture. It's a city rich in antiquity and early Christian treasures, and just endlessly fascinating. There's nowhere else like it.
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I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people.
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When I was 18, I lived in Greenwich Village, New York, for nine months. At that time, I wanted to change the world, not through architecture, but through painting. I lived the artist's life, mingling with poets and writers, and working as a waiter. I was intrigued by the aliveness of the city.
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The problem with digital architecture is that an algorithm can produce endless variations, so an architect has many choices.
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The overall experience Skype provided was superior to other folks because of the underlying architecture and the ability to provide a superior experience.
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To provide meaningful architecture is not to parody history but to articulate it.
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Oratory is the masterful art. Poetry, painting, music, sculpture, architecture please, thrill, inspire - but oratory rules. The orator dominates those who hear him, convinces their reason, controls their judgment, compels their action. For the time being, he is master.
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I am involved in the architecture of space.
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What has impressed me the most about the Italians whose tables we've sat at is that they are traditional cooks but also outrageously innovative. These people are wild improvisers.
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One of the main truths of all education is that if the young are not always right, the old are always wrong.
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To err is common to all mankind, but having erred he is no longer reckless nor unblest who haven fallen into evil seeks a cure, nor remains unmoved.
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Architecture is the king or queen of the arts.
