Gail Levin Quotes
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
Quotes to Explore
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The dinner table is a lively debate, and everybody weighs in in a different way. I like that, though.
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My mother's passion for something more, to write a different destiny for a dirt-poor farmer's daughter, was to shape my entire life.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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I have a very successful father-in-law and family with very different political views.
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I just think that people take me a little more seriously as a brunette. I don't know if that's just because of a societal preconceived notion that all blondes are stupid, but it's a different kind of attitude.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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When I was I kid, there were so many different things that I wanted to be. As an actor, I get a chance to be all of those things, at least for a couple of days, which is fun.
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Probably induced by the asthma, I started reading and writing early on, my literary efforts from the age of about nine running chiefly to poetry and plays.
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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I always compartmentalized so many different things.
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If I were to categorize what I sing, I have many different influences, and a lot of them are from back in time.
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Now if there's a smile on my face,It's only there tryin' to fool the public,But when it comes down to foolin' you;Now honey, that's quite a different subject.But don't let my glad expressionGive you the wrong impression.Really I'm sad.I'm sadder than sad.You're gone and I'm hurtin' so bad.Like a clown I pretend to be glad.
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I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
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Empathy is not as complicated when you have some aspects in common with your character; it's not impossible to know someone who's like you in many ways but different in one. This is true especially if you are a reader. Reading makes you accustomed to inhabiting other lives and sensibilities.
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I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
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My philosophy comes from a worldview that looks at the world as one. It's a holistic view that sees the world as interconnected and interdependent and integrated in so many different ways, which informs my politics.
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A lot of times, politics, global issues are very black and white. There is a place for that, but it's also fantastic to have art side by side, from different viewpoints, open for interpretations.
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If you give people the opportunity to do the right thing, you'll rarely be disappointed.
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The federal government has invested billions in Metro, yet the system is not safe and is not reliable.
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Certainly the worker has nothing to lose by a change from government and capitalism to a condition of no government, of anarchy.
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I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
