Gail Levin Quotes
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
Quotes to Explore
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The dinner table is a lively debate, and everybody weighs in in a different way. I like that, though.
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My mother's passion for something more, to write a different destiny for a dirt-poor farmer's daughter, was to shape my entire life.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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I have a very successful father-in-law and family with very different political views.
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I just think that people take me a little more seriously as a brunette. I don't know if that's just because of a societal preconceived notion that all blondes are stupid, but it's a different kind of attitude.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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When I was I kid, there were so many different things that I wanted to be. As an actor, I get a chance to be all of those things, at least for a couple of days, which is fun.
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Probably induced by the asthma, I started reading and writing early on, my literary efforts from the age of about nine running chiefly to poetry and plays.
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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I always compartmentalized so many different things.
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If I were to categorize what I sing, I have many different influences, and a lot of them are from back in time.
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Now if there's a smile on my face,It's only there tryin' to fool the public,But when it comes down to foolin' you;Now honey, that's quite a different subject.But don't let my glad expressionGive you the wrong impression.Really I'm sad.I'm sadder than sad.You're gone and I'm hurtin' so bad.Like a clown I pretend to be glad.
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I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
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Empathy is not as complicated when you have some aspects in common with your character; it's not impossible to know someone who's like you in many ways but different in one. This is true especially if you are a reader. Reading makes you accustomed to inhabiting other lives and sensibilities.
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I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
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My philosophy comes from a worldview that looks at the world as one. It's a holistic view that sees the world as interconnected and interdependent and integrated in so many different ways, which informs my politics.
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It is fun to see a comedy in which every single joke hasn't been packed into the trailer.
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It’s dangerous to assume that because a person is drawn to holiness in his study that he is thereby a holy man. There is irony here. I am sure that the reason I have a deep hunger to learn of the holiness of God is precisely because I am not holy. I am a profane man—a man who spends more time out of the temple than in it. But I have had just enough of a taste of the majesty of God to want more. I know what it means to be a forgiven man and what it means to be sent on a mission. My soul cries for more. My soul needs more.
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On the other hand, I'm very tolerant as well. I expect that everybody can play what they want. I'm only not tolerant when it comes to myself and what is presented on my album that I have to listen to for the rest of my life.
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In many ways, theatre is more rewarding for a writer. I used to think it was like painting a wall - that when the play is finished, it's done - but now I realise it's more like gardening; you plant the thing, then you have to constantly tend it. You're part of a thing that's living.
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A habit for all of us to develop would be to look for something to appreciate in everyone we meet. We can all be generous with appreciation. Everyone is grateful for it. It improves every human relationship, it brings new courage to people facing difficulties, and it brings out the best in everyone. So, give appreciation generously whenever you can. You will never regret it.
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I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
