Gail Simone Quotes
Here's the thing, trust changes everything. Once you know what an artist can do, and you know their commitment level, it opens up the playbook hugely. I have worked with artists I really love, but they may have some small aspect that they hate drawing, or that they don't excel at, and that effectively takes that option off the table.
Quotes to Explore
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You have got to pay attention, you have got to study and you have to do your homework. You have to score higher than everybody else. Otherwise, there is always somebody there waiting to take your place.
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The ox suffers, the cart complains.
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If we are ever to halt climate change and conserve land, water and other resources, not to mention reduce animal suffering, we must celebrate Earth Day every day - at every meal.
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The differences between friends cannot but reinforce their friendship.
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I love Vanna White as much as the next guy.
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Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.
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I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
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We have this incredible ability to communicate with each other. I want to play around with it, see what this mass audience is really capable of.
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A lot of the things I was doing on the first couple Washed Out releases was very naive.
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Part of what we talk about is, toughness is a talent.
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I travel a lot, so when I arrive in a city, I like to go to good local bookshops and make a selection based on how I'm feeling and what I'm thinking. The book I pick usually seems to have a definite karmic connection!
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I have a terrible tendency to lick my fingers when I cook. So much so that I got a telling off from my pastry teacher years ago, who said it would hinder my prospects.
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I definitely wanted the second record to be a much more grandiose thing. I wanted to push myself and make a big statement.
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In photo shoots, I rely on instinct. Which is not to say I don't bring ideas to a project or consider it beforehand.
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I routinely oscillate between exultation and despair. Maybe at the end of the day I feel pretty good about what I've written, but the next morning I see that it's crap. Then I start again - make a new outline, do some more research, try to rethink the whole question.
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I am really passionate about my career and my music and I am so lucky to be able to do what I do for a job, so for all the early morning starts and long days, I could never trade it all in.
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I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
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I am in the hands of Deori Maa. Every time I come to Ranchi, I visit her temple. I still remember my first visit.
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I've learned how to use my spam filter pretty effectively.
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The value given to the testimony of any feeling must depend on our whole philosophy, not our whole philosophy on a feeling.
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In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
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You may have occasion to possess or use material things, but the secret of life lies in never missing them.
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Police officers and firemen are so visible in their daily work, there's no mistaking they're there - and that presence makes people feel secure.
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Here's the thing, trust changes everything. Once you know what an artist can do, and you know their commitment level, it opens up the playbook hugely. I have worked with artists I really love, but they may have some small aspect that they hate drawing, or that they don't excel at, and that effectively takes that option off the table.
