Zach LaVine Quotes
Quotes to Explore
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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Sofia Coppola is wonderful, and I'd love to work with her.
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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Hard work is not why I have been successful as a model.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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In Hollywood, marriages are kind of expected to fail.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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When you're a woman, you have to work harder to get a laugh... I follow so many hilarious women on Twitter. It's a daily reminder that women get to be funny.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I've been working for many years and I think I've managed to work with some of the best people in the business, which has been rewarding and an apprenticeship.
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It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
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The things that always seem to work are the things that any magician can duplicate. Randi's quite right to point that out. But that's not because I'm doing a conjuring trick. You'd think that whatever causes these things to happen doesn't want them to be proved.
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Wherever I go, I just try to show normal life. If the work helps to dispel stereotypes, it's because I seek not to portray the extremities of a place, but the vast majority of people who are quite normal and are having normal life experiences.
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It makes me happy to think that this world of art-as-investment is a minuscule fraction of the art world overall. Most people who create, trade and own art do it for a much simpler reason. They just like it.
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I write from my imagination, not from what I've read in books or seen on TV or to make money. I wrote from an idea I was passionate about.
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I SEE thee better in the dark, I do not need a light. The love of thee a prism be Excelling violet. I see thee better for the years That hunch themselves between, The miner’s lamp sufficient be To nullify the mine. And in the grave I see thee best — Its little panels be A-glow, all ruddy with the light I held so high for thee! What need of day to those whose dark Hath so surpassing sun, It seem it be continually At the meridian?
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I've never seen hard work fail.
