Zach LaVine Quotes
Quotes to Explore
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I believe in growth - in myself and in the characters I create.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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I get motivated by the fact people are following me, that they want a photo or say 'vamos' or 'Canelo.'
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Students graduating with high debt encounter difficulties in qualifying for home and automobile loans.
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I didn't want to be one of those arty nutcases.
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I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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Summer ends, and Autumn comes, and he who would have it otherwise would have high tide always and a full moon every night.
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I don't want to be known as the one who makes movies for older people.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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You want to know why there's a Texas Rangers? Well, here's the answer. You know how the six-gun came around? Well, here's the answer. You want to know why Mexicans allowed Americans to settle Texas in the first place? It was fear of Comanches.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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There is only one thing keeping us from having heaven on earth: we can't believe it! Why? Because we don't want to be wrong - so we'll be right and make it hell!
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It's so important to me to do the washing, do the Hoovering. I don't ever want to lose contact with that.
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I took a lot of time to open myself up to taking chances musically.
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The first time I acted was in high school in Florida, and when I heard that applause I felt so alive and felt that electricity go up my spine.
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I tend to be really competitive when it comes to Scattergories.
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Women have always collected things and saved and recycled them because leftovers yielded nourishment in new forms. The decorative functional objects women made often spoke in a secret language, bore a covert imagery. When we read these images in needlework, in paintings, in quilts, rugs and scrapbooks, we sometimes find a cry for help, sometimes an allusion to a secret political alignment, sometimes a moving symbol about the relationships between men and women.
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Obamacare was passed months before my first day at Komen.
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I really think we should pass a law in every state, I don't care whether it takes the independence away from an old person or not. You shouldn't be driving a car if you're over the age of 80. Maybe even less than that.
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I have really high expectations for myself, so I just want to go out there and compete.
