Damian Pettigrew Quotes
A filmmaker should never assume he's superior to his subject. I often find that even the simplest topic remains an enigma. The best film portraits not only evoke that enigma but ingest it in a process that renders what's invisible visible.
Quotes to Explore
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Obviously, as you get a little older, you are not going to be quite as quick or quite as strong, and so I might be regarded by some as the underdog... There is actually a statue of Big Ben and I in Perth, Ont., and I was on a Canadian stamp once, and normally you have to be dead to do either of those things, and, well, here I am, still going.
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Today, not to take away from any of the present artists, but music has gotten a little shallow, in my opinion. Everybody's talking about the same thing: sex, money, clothes, cheating... I want to open up not necessarily better conversations, but, in my opinion, more important ones, and touch on things that are actually going on.
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There is an obvious connection, on the declining Roman empire's bread and circuses model, between political enthusiasm for public spectacles and the periods when we are least able to pay for them.
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I hope Obama gets scary in the next four years, 'cuz he ain't gotta worry about getting re-elected.
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During my second draft pass on my last book I made 20,000 words happen in a week, which is practically supernatural for me, and it would never have been possible without three nights in a hotel in my own city.
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And literature frequently rises to heights that make it international.
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All Americans are dependent for their energy on the Arabian peninsula.
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There are parts of me that I feel are beautiful, but they don't have anything to do with my nose.
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I'm a cynic about corporate democracy and boards.
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To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.
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I love going back and forth from drama to comedy. I love switching it around and showing people that I can do both.
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Think both big and small. Loving to bake doesn't only mean becoming a baker. It could mean starting a blog, becoming a food photographer, or going into organic chemistry.
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I remember having my father stand over me when I had driven over my own foot; one leg was out of the car and one leg was in the car. He looked at me and told me that I was a drunk and that he was ashamed to call me his son. That night, I stopped drinking and I never drank again; I was twenty four.
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My working hypothesis is that stupidity in popular culture is a constant. Popular culture cannot get more stupid.
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I was this kid who never sat down. Nobody liked me? Well, I'd make sure they'd like me. I was the class clown, always doing crazy stuff and causing riots.
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I think prom is just about enjoying yourself.
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We're in the service business by nature, but when we can transition that into ownership things, we love it. Our clients love it, too. We get deluged with offers to get involved with this or that. Silver Lake helps us funnel those opportunities.
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I would say I've always lived creativity, but now I - I do it with an intention that's got a completely different power.
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It sounds strange, somewhat on the line between irony and absurdity, to think that people would rather label and judge something as significant as each other but completely bypass a peanut. ... World peace is only a dream because people won't allow themselves and others around them to simply be peanuts. We won't allow the color of a man's heart to be the color of his skin, the premise of his beliefs, and his self-worth. We won't allow him to be a peanut, therefore we won't allow ourselves to come to live in harmony. (Diary 18)
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I cannot forget a conversation that I had with an elderly couple from the tribe. They asked me whether I would kill them after I had finished. When I asked them why they asked that, they replied, Because you white men always do!
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I do not fear invisible worlds.
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Being a good television screenwriter requires an understanding of the way film accelerates the communication of words.
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A filmmaker should never assume he's superior to his subject. I often find that even the simplest topic remains an enigma. The best film portraits not only evoke that enigma but ingest it in a process that renders what's invisible visible.
