Tanya Roberts Quotes
Quotes to Explore
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By March '87 we're down to seven thousand, by the end of the year we're down to twelve hundred. The whole bottom just fell out of the market. It was bad for me because I was in Australia at the time.
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Poverty is clearly one source of emotional suffering, but there are others, like loneliness.
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Love is an obsession. It has that quality to it. But there are healthy obsessions, and mine is one of them.
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Life is a game. Money is how we keep score.
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I grew up in suburban New York City and London, England, where my dad was working.
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I loved theatre and film when I was growing up in Harpenden, Hertfordshire. My mum's a reflexologist and my dad's a corporate financier.
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I think if a horror movie is really scary, you'll think about it for weeks, and there's something kind of fun about that - about our art, really.
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My background is that of a competitive athlete and a fighter, and I'm bringing something totally different to 'The Biggest Loser' that wasn't there before.
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Art is the job of the privileged.
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I wanted to show that Martin Luther King was simply a human being, not a god, not a saint.
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As you grow up and get educated in the business, you go from, 'I want to do movies' to 'I want to work. In whatever.'
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Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
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I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
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Perfect order is the forerunner of perfect horror.
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It's important to study and understand your responsibilities within any profession, but it's particularly important for military officers to read, think, discuss, and write about the problem of war and warfare so they can understand not just the changes in the character of warfare but also the continuities.
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The thing about being black and having a different accent, in the beginning, is that it makes you foreign.
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I don't really consider myself an impressionist.
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Art is subject to arbitrary fashion.
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Write out the story - rapidly, fluently, and not too critically - following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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Maybe I'll write an episode of 'Black-ish' about a guy being fired in late-night.
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If you boss you think you can your instructor around, you won't learn.
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Football is just a game. What matters is what you play for.
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Even if I get thrown out of Hollywood, I'll come back.
