Dan Graham Quotes
Quotes to Explore
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I haven't done Vine in a long time, and when I first started, I just did stuff that I thought was funny.
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I love a real-life, movie moment in living color.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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History is a race between education and catastrophe.
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Whenever I do something, it seems so right. And turns out so wrong.
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Sometimes, especially when it's cold, I get dry skin, so I scratch a lot. I scratch my arms incessantly.
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For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
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It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
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When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.
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Tell a man that he is putting on a stage performance in order to get what he wants, and he will irritably reject your observation. Why? Because most people go through life as cunning actors with a permanent horror of getting found out.
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My dad and my mom were big Nat King Cole fans, so they had everything he did.
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My books are never about the crimes. They are about how the characters react to the crimes.
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If you read all your history books, there are no women in them.
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I think that the older I get and the more comfortable I get with myself, the more I realize that art is about relinquishing control of your emotions and being vulnerable and innocent.
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I don't take lessons in art. It all comes from the heart, and sure I'd love to study art! In school I come across one thing I do and I want to study that in college. I love history, I love science, I love art, I love grammar, I love literature!
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If I didn't have my profession, I think I would be sitting in a nuthouse. But I have been unceasingly at work, and this has been very healthy for me. So I had no need for therapy.
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A lot of the 'leave' campaign was centered around a thinly veiled xenophobia, just 'control our own borders.' It's not a good look. I don't think it represents Britain; I don't think it represents the U.K. all too well. It breaks my heart for my generation in Britain who are going to suffer.
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Its objectives to suggest new paths for the study of European economic history rather than fit either of these standard formats. It is more than anything an agenda for new research.
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In fact I always disliked conceptual art, because my work is about anarchistic humor.
