Dan Henderson Quotes
Quotes to Explore
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A lot of our animation projects are co-productions with French production companies.
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Inside every Sancho Panza there's a Don Quixote struggling to get out.
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I cannot always control what goes on outside. But I can always control what goes on inside.
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I do have to travel a lot for speaking engagements.
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Morality covers our conduct, not what goes on inside our heads.
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The emotions you see when you watch 'Narcos,' they're pretty much my emotions and the way I would react if I were there. It's not something you create; all of us have everything inside ourselves.
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I like music a lot.
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I carry a lot of muscle easily.
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How can we later criticise other countries outside the European Union for adopting such measures to repress opponents when we are tolerating this inside the European Union with European citizens? Like me - I'm a European citizen.
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I certainly gained a lot by reading about Shanghai.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I don't trust a lot of journalists.
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Listen, a lot of religions have fundamentalists.
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The Pentagon is a series of wedges. So you have - the outer wedge has windows on the outside, and then inside of that, it has windows with an alleyway; then there's another wedge with windows outside, windows inside. And we call them the E Ring, the D Ring, the C Ring.
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There isn't a lot written about the motorcycle culture.
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I spend a lot of time with my characters.
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I travel a lot. I'm on the move.
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I've always said I'm the worst representative of Muslim-Americans that's ever existed, because I've been inside more bars than mosques.
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Sure, the home-field is an advantage - but so is having a lot of talent.
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I don't say that I'm going to be like every other comic that's blue, or gratuitous use of language. I do try to have my own standards: I don't do everything the audience wants, and I do try to surprise them.
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I think to be creative you have to resist taking the easy path.
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I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
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Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
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I'm big on the inside, which makes up for a lot.
