Laura Carmichael Quotes
I'd love to work in the States; I'd love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
Quotes to Explore
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What's interesting is to be sexy but not know it. You'll be in a restaurant, and some girls will walk in and you can tell that they really want to be sexy. It's written on their faces because that's all they want to show. There's a fear that one might not look further.
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It is easy to be independent when you've got money. But to be independent when you haven't got a thing, that's the Lord's test.
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The first movie my dad ever showed me was 'Predator' – I was five. And I think the second one was 'Jaws.'
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In North Germany, a troublesome ghost is bagged, and the bag emptied in some lone spot or in the garden of a neighbour against whom a grudge is entertained.
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Dear God! how beauty varies in nature and art. In a woman the flesh must be like marble; in a statue the marble must be like flesh.
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When I was a kid in Michigan, I used to play ball with a town team on Sunday. Of course, I'd go to church first. Played the church organ, as a matter of fact.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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He that climbs the tall tree has won right to the fruit, He that leaps the wide gulf should prevail in his suit.
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My job was to get a fair and open hearing to all ideas.
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Before every show, we get into a circle, hold hands, and someone makes a speech. Most bands are too cool for that.
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Eazy-E is going to remain Eazy-E. But I will not portray Compton as a bad city.
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There is only one thing for us to do, and that is to do our level best right where we are every day of our lives; To use our best judgment, and then to trust the rest to that Power which holds the forces of the universe in his hands.
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Every company has two organizational structures: The formal one is written on the charts; the other is the everyday relationship of the men and women in the organization.
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I could have ended the war in a month. I could have made North Vietnam look like a mud puddle.
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I see couples fighting about the stupidest things. You just have to rise above everything.
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As a prosecutor, I got a paycheck for coming to work every day. I didn't get a promotion when I won, and I didn't get a demotion when I did a bad job.
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I'm just fascinated by the past. You know, both by the possibilities it holds and by the complete tyranny of it, the way it sort of keeps you in this stranglehold and makes you want things that you no longer have and you can never get back.
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You must learn to end the wars in your world by ending them in your minds.
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I'm not particularly good at page layouts. I make an effort to stay out of the way of the artist. What I'll try to express instead is, 'What we're going for here on this page is the idea of the containment of these women's bodies. So I want them framed as though they're bursting out of the panel borders.'
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I feel great that I've been given a chance in the golden years of my life. To me, it's the last battle, and I've been given a chance to get stuck in some good armament, some good power, and there's a chance that now I can finish off my working years with my head held high.
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I'd love to work in the States; I'd love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
