Karl Lagerfeld Quotes
Quotes to Explore
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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I am who I am.
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I've never experienced chronic pain myself, but I have known many people over the years who have.
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There's so much that I can give as a human being - and I know that.
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I once tried thinking for an entire day, but I found it less valuable than one moment of study.
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There are people who are very resourceful, at being remorseful, and who apparently feel that the best way to make friends is to do something terrible and then make amends.
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I think protecting your family and giving to them is so important. It's the most important achievement.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
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If there is anything in the universe that can't stand discussion, let it crack.
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You count a man's U.S. Amateur titles after he starts winning professional majors. That's something any intelligent golf writer with a sense of history is supposed to know.
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Certainly, in Italy, nobody takes light for granted.
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Spencer's god was Evolution, sometimes also called Progress.
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Few things are as essential as education.
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I'm a very lucky girl.
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As an actor, you look for roles that can constantly challenge you and you can learn from.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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It's always nice to have more than just two hands if you're making cakes.
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I savored my time on top of the podium by watching the American flag rise up out of the crowd as the anthem played, thinking about how every single second of training I've done was for this minute and how many people played a role in my achievement.
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The magnificent lobby of the Chrysler Building - faced with rare marbles, aglitter with decorative metalwork, and surmounted by a ceiling painted with a totemic image of the tower itself - leads to elevator cabs inlaid with exotic woods in fanciful patterns. The entire route from street to office is invested with ceremony, dignity, and delight.
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I think that my music is really empowering. I just want people to know - especially young people, but really everyone - that you don't have to be so caught up in what everyone else is thinking. You don't have to be the coolest, most popular person. You can just be you and be vulnerable.
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I love to compete. To me, business is the ultimate sport. It's always on. There is always someone trying to beat me.
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I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
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I’m trying to think of the last time I had onions.
