Kathleen Madigan Quotes
Quotes to Explore
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I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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I've had the same barber since I was about 14 years old.
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Few things parallel the bonding that occurs post-performance when congratulatory remarks are awarded, regrets are confessed, and gossip is exchanged.
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When you have a movie, you know who they start out as and where they go. But this is constantly changing, and you're growing with the character.
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Disease is the tax which the soul pays for the body, as the tenant pays house-rent for the use of the house.
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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Afghanistan is a country in need. Afghanistan needs to protect itself in the region; Afghanistan needs to secure itself within the country. Afghanistan needs to develop its forces, and Afghanistan needs to provide stability to the people.
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Stay focused on the mission.
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I've had a few conversations with people who are horrified: who tell me my work is demeaning, is sexist, is negative.
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You can have whatever you want if you believe in yourself and keep your feet firmly planted in the ground.
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I heard somewhere that whenever you write a book, people will ask you One Question about it over and over. And while I'm no expert in these matters, this is proving to be true. My first book dealt with a not-that-pleasant degenerate type, and the One Question was, 'Is this an autobiographical story?'
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My favourite all-time work of fiction: Lord of the Rings. My favourite all-time nonfiction book: Guns, Germs, and Steel. Ask me again next week, you'll get a different answer.
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I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
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I almost feel like we do live in a world like 'Caprica.' The fact that it's so close to home is why it appeals to me so much. You're making statements about what's going on right now. You take Facebook and Wii and add it together, and that's what the virtual world in 'Caprica' is.
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You know what 'DOUBT' stands for? It stands for 'Debate On Understanding Bewildersome Thoughts.'
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I often use the word 'magical' to talk about what it feels like on set.
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There's no job like 'SNL.' There's no other job you go to where you're like, 'Oh, this is like that live, late-night sketch variety-musical show that shoots in, whatever it is, 10,000 feet of sound stage.' There's nothing like it.
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The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
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People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
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When we went to cover it I thought we would change it to a song of loving and longing instead of the sex machine song Kylie turned it into. I've met Kylie and told her we were covering her song and she was pleased.
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I'd love to have a hit record. I don't believe anyone that says they wouldn't like that.
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I keep trying to understand the phenomenon of why adults are so literal when children are so imaginative. Toys are a caricature of reality.
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People entertain me more than I entertain them.
