Nargis Fakhri Quotes
I got a lot of offers after 'Rockstar' but was totally dependent on the team managing my work, who did not want me to sign any of the films I was offered, even though I wanted to.
Quotes to Explore
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I make a mean cup of coffee, if you give me the right ingredients.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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My parents got to see all my hard work pay off.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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Hard work is not why I have been successful as a model.
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R. C. Buford has been a huge help to me with his support.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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I am a fashion designer, so I guess that makes me an overpacker.
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The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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It is difficult to make political art work.
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Pride takes a lot of breaking.
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If 10 years from now, when you are doing something quick and dirty, you suddenly visualize that I am looking over your shoulders and say to yourself: 'Dijkstra would not have liked this', well that would be enough immortality for me.
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The best live recordings capture elements of surprise onstage.
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Don't make being a girl or a victim part of your stand-up act. If you encounter sexism in the business, don't bring it on stage; it's not funny.
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I got a lot of offers after 'Rockstar' but was totally dependent on the team managing my work, who did not want me to sign any of the films I was offered, even though I wanted to.
