Kazuki Takahashi Quotes
Quotes to Explore
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You have to be un-comfortably comfortable in this business. There's always somebody else who wants what you have.
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Buildings are always better than drawings and models.
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I always watch the work I do.
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I'm just in love with Burberry. Always have been, always will be.
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My perspective was always being on a number one show doesn't mean anything if I'm not still working consistently at 40 to 50 and 60 years old.
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The human capacity to be curious has always existed.
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But when ill indeed, Even dismissing the doctor don't always succeed.
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I always wanted to be honest with myself and to those who have had faith in me.
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The genuine priest always feels something higher than compassion.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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I was always very focused on how people dressed.
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My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow.
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Hunger and homelessness aren't things we always want to talk about.
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The children of the revolution are always ungrateful, and the revolution must be grateful that it is so.
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When I go abroad I always sail from Boston because it is such a pleasant place to get away from.
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By 17, I was modeling and had bought myself a flat. I've always tried to be self-sufficient.
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Kobe Bryant has always been my favorite player, and he was drafted No. 13, too, in 1996.
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My camps are always ten weeks. That's what makes me comfortable.
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The strings to our past are burned because we need a new beginning.
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Traditionalists often study what is taught, not what there is to create.
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I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
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Plots may be simple or complex, but suspense, and climactic progress from one incident to another, are essential. Every incident in a fictional work should have some bearing on the climax or denouement, and any denouement which is not the inevitable result of the preceding incidents is awkward and unliterary.
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Those who trespass in others' souls will always get burned in the end.
