Barry Eisler Quotes
The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.
Quotes to Explore
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I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
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My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
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I feel that I am a scholar who only with the left hand writes novels.
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Anytime you interfere with a natural process, you're playing God. God determines what happens naturally. That means when a person's ill, he shouldn't go to a doctor because he's asking for interference with God's will. But of course, patients can't think that way.
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I've always been interested in family secrets and what happens behind closed doors. I find that fascinating and creepy - that's why I read: because I want to know other people's secrets.
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Village cricket spread fast through the land.
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I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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I have not fully had the opportunity to evaluate the impact of cameras in the courtroom.
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We have to still develop the Ikea group. We need many billions of Swiss francs to take on China or Russia.
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I'm shy, but sometimes my voice is so clear and strong. Your tongue moves, and the Arabic language is so beautiful.
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I never felt popular as a child and never had best friends.
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The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
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We think of Washington as the defensive-minded pragmatist who won the Revolution by avoiding unnecessary risks on the battlefield. But that was not how he started out.
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I've certainly not got any famous people's numbers on my phone. It's just not my thing, really.
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There is much good luck in the world, but it is luck. We are none of us safe. We are children, playing or quarrelling on the line.
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I remember when the palm trees were short and Tomorrowland was modern.
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My music is very innovative, in a class by itself. Nobody else is saying anything of value. What I'm trying to do is get people to think, to alter their consciousness. It's not your typical platinum formula for success.
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With the Lincoln assassination, the South didn't feel it could mourn along with the North. But Garfield was beloved by all the American people. He was trusted and respected by North and South, by freed slaves and former slave owners. Also by pioneers, which his parents had been, and by immigrants.
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I never imagined I'd go into acting, but I always loved drama, and when I was 16, I discovered the Library Theatre up the road. So I plucked up courage and asked if I could watch rehearsals. It was like Heaven.
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Supporting causes with whatever we do can be effective.
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Fun can happen on the interior. Nobody knows about it, but there are fireworks going on inside your spirit when you hear a great orchestra playing great music.
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We in the richest societies have too many calories even as we starve for beautiful, fresh food; we have overly large houses but lack spaces that truly embody our individuality and connectedness; media surround us everywhere while we starve for authentic communication. We are offered entertainment every second of the day but lack the chance to play. In the ubiquitous world of money, we hunger for all that is intimate, personal and unique.
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The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.
