Daniel O'Sullivan Quotes
As soon as you think you have a firm idea you allow it to dissolve and you let go of it, particularly when it comes to a stylistic or aesthetic identity. In fact, you only really find out what it is when you deconstruct it; so, yeah, that's a sort of collage sensibility of having a lot of voicings coming from all over the place and not necessarily trying to shape them or try to commodify them. It keeps you in the living language... an opportunity to not be governed so much by intellect.
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Quotes to Explore
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I'm trying to mix the cool, independent stuff with the big stuff, but it's been difficult finding the right roles. It's been an interesting ride as far as my career pendulum is concerned.
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I don't feel proprietary, but I do feel there is a human identity to the borough of Hackney that's quite peculiar. It was always bloody-minded and difficult; it always stood up to central government.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I don't spend any time at all thinking about my personal wealth. I suppose if I had nothing, I might think, 'I have nothing.'
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I'm not sitting around thinking of ideas for TV shows.
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There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
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I was a pretty angry kid, and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.
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The minute your parents die, you stop fighting them. I realized the more I changed my face for films, the more I looked like him. I always liked to disguise myself because I was trying to run away from his image. But all that is not worth it.
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I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.
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I'm not a huge fan of the concept of 'passion' when it comes to careers. Instead of trying to answer the daunting question of, 'What's your passion?' it's better simply to watch what you do when you've got time of your own and nobody's looking.
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If I want to go out and eat at a restaurant with amazing food, I'll do that, like, once a week where I'm not thinking about it. I want to indulge! I want to do things that are not necessarily healthy sometimes.
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Broadband gives small businesses the opportunity to broaden their customer base and reduce their overheads through e-commerce platforms.
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(To someone at New York University) If you consistently take an antagonistic approach, however, people are going to start thinking you're from New York.
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A new type of thinking is essential if mankind is to survive and move toward higher levels.
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Evil, and evil spirits, devils and devil possession, are the outgrowth of man's inadequate consciousness of God. We must avoid thinking of evil as a thing in itself - a force that works against man or, against God, if you will.
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Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
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Marvin's Motivational Moments actually started as something that was actually therapeutic for me. I would sit up late at night after my wife passed trying to adjust to being alone.
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Aidan Gillen is such a great actor, and it was so nice to have an opportunity to work with him, even if it's his last scene, because he had a tone that he'd never had before on the show.
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I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.
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While I was at Cornell in engineering, I was an engineering co-op student, and that turned out to be very valuable because we'd go out every other term to work in industry and have that close association with industry.
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I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
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As soon as you think you have a firm idea you allow it to dissolve and you let go of it, particularly when it comes to a stylistic or aesthetic identity. In fact, you only really find out what it is when you deconstruct it; so, yeah, that's a sort of collage sensibility of having a lot of voicings coming from all over the place and not necessarily trying to shape them or try to commodify them. It keeps you in the living language... an opportunity to not be governed so much by intellect.