Zig Ziglar Quotes
It was character that got us out of bed, commitment that moved us into action, and discipline that enabled us to follow through.
Quotes to Explore
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Where are the gains for religious freedom and human rights to justify all the bombings, invasions and wars we have conducted in the lands from Libya to Pakistan - to justify the losses we have endured and the death and suffering we have inflicted?
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The loss of life will be irreplaceable.
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I don't know in the world why anyone would consent to be a king, and never to be left to himself, but to be worried and wearied and interfered with from dark to daybreak and from morning to the fall of night.
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What we do is nothing like the portrayal of badminton as a gentle game played in a church hall. Badminton can be fun and relaxing, but as professionals, this sport is our heart and soul and passion, and our games are fast and aggressive.
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There is nothing which at once affects a man so much and so little as his own death.
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The world gets older, without getting either better or worse and so does literature. But I do think that the drab current phenomenon that passes for literary studies in the university will finally provide its own corrective.
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The Stonewall riots were a key moment for gay people. Throughout modern history, gays had thought of themselves as something like a mental illness or maybe a sin or a crime. Gay liberation allowed us to make the leap to being a 'minority group,' which made life much easier.
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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Every anti-gay remark from the Church gives the thug a license to be cruel.
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The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
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I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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My family were very poor. I am one of nine siblings: two girls and seven boys. Only my brother and I play in Europe, and then three more work in Europe, and another plays in Tunisia. This family is a footballing family, but our lives have not always been good.
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I liked to be around my friends, but my dad was out there, day in and day out.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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I just kind of assumed that you do a movie and then you leave and you hop onto the next thing. I never thought that people are actually buddies.
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I just feel like when a good project comes along, I'm not going to discriminate against it because it's television or because it's a film. I never want to say no to something just because of the area that it's in. If it's a good story or I think it's going to be exciting to play or exciting to be a part of, then I'm going to be a part of it.
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A certain kind of Eden holds us thrall.
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For a very long time, we've been extraordinarily interested in the interaction between low temperature and low oxygen. We see that they're connected because we know people who are extremely cold are not getting oxygen to their cells. And yet, they're sometimes alive.
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I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. But a lot of effective and interesting radio is based on one character who reacts to the world.
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To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.
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It was character that got us out of bed, commitment that moved us into action, and discipline that enabled us to follow through.
