Danzy Senna Quotes
I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
Quotes to Explore
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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But in action, one defies one's character.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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That's the most important thing you do in your life - raise children and try to do the best job as a parent and give your kids the best shot in life to go out there into the big, bad world.
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One cannot spend one's time in being modern when there are so many more important things to be.
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Core strength and stability is very important to me. Tennis is all about rotation of the body and my ability to create power. I incorporate a lot of abdominal, back and glute exercises into my gym sessions.
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Yes, I believe the will is very important. It's how I have succeeded in life.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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This is a very important relationship we have with Russia, the relationship over the nuclear arsenal that they have obviously is important. They're a very powerful country.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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You take what you know, and you put it through your own prism. If I play characters that break down or cry, it's Gary Oldman crying; it's not the character crying.
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I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.
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I went on countless auditions. I begged my parents until I finally was allowed to be in a theatrical play when I was 13. It was the most important thing in my life.
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Compassion for animals is intimately connected with goodness of character, and it may be confidently asserted that he, who is cruel to living creatures, cannot be a good man. Moreover, this compassion manifestly flows from the same source whence arise the virtues of justice and loving-kindness towards men.
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Writing a teen character is something I wanted to try again for a long time!
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Just about every actor wants to be a Disney cartoon voice at some point.
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When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.
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I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
