Ziad Doueiri Quotes
I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
Quotes to Explore
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My wife said to me... you never understood what we were going through back home, did you? And I didn't. And I have to confess that.
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I had no intention of becoming a performer, and yet under miraculous circumstances I was brought into the music industry fold. If divine powers hadn't intervened, I'd still be living in China working in some area of Sino-American comparative law.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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College is part of the American dream. It shouldn't be part of a financial nightmare for families.
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When an American says that he loves his country, he means not only that he loves the New England hills, the prairies glistening in the sun, the wide and rising plains, the great mountains and the sea. He means that he loves an inner air, inner life in which freedom lives. In which a man can draw the breath of self-respect.
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If you are attempting to study American history, and you don't understand the force of white supremacy, you fundamentally misunderstand America.
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I was playing a defensive guard in 'My All American' who is a really fast runner, so a lot of my training was running. I wasn't too worried about bulking up because he was supposed to be on the small side.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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The difference between being a victim and a survivor is often a low level of situational awareness. You can't be a super-spy, watchful and paranoid every day. But I am more watchful than the average American.
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The phrase 'blue plate special' has always been one of the homiest, coziest, most sweetly nostalgic phrases in the English language for me.
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You can't date if you're famous. That's how it seems to me.
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It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
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I want to make it clear that I honestly answered every question put to me during the so-called Iran-Contra hearings. But if they didn't ask me about something, I wasn't about to reveal things that would put other people in jeopardy.
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If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
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I don't like giving up hits and stuff, but I try not to show it. I don't want the hitter to see that something bothers me.
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I think it would be funny for people to read in obituaries of me that my major contribution to the arts was the popularization of the phrases 'neutral facial expression' and 'screaming in agony.'
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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I have had my difficulties with the American legal system, and so I feel qualified to talk about it.
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Apple is a unique company in that the art and the science sit together very nicely. There's an appreciation for both sides of the brain.
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I am a very shy, introverted guy.
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With optimism, you look upon the sunny side of things. People say, 'Studs, you're an optimist.' I never said I was an optimist. I have hope because what's the alternative to hope? Despair? If you have despair, you might as well put your head in the oven.
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I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
