Paddy Considine Quotes
I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
Quotes to Explore
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Deal-making goes on with any job.
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The cutting room is where you discover the optimal length of the movie.
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Doing films in Latin America is like an act of faith. I mean, you really have to believe in what you're doing because if not, you feel like it's a waste of time because you might as well be doing something that at least pays you the rent.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I would love to do a 'Scream'-type movie.
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One of my main weaknesses is a good movie. I'll just bawl my eyes out.
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Winning the NFC championship affords you a chance at the next opportunity.
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I know how ridiculous this sounds because of the job I do but I don't believe in romanticism and make-believe.
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The best job goes to the person who can get it done without passing the buck or coming back with excuses.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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I had the taste of the alcohol since I was 11. It allowed me to be clever, charming and to behave outrageously. Acting also allowed me not to be me. So I could indulge every fantasy in this paradise of America.
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I got along with people very well at every job I had, people liked me and I liked them and I loved being on my feet.
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What I tend to get from America is very enthusiastic letters and e-mail from librarians and schoolteachers, the gatekeepers, though I hesitate to use that word. I've never been a huge seller.
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'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
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I have always been very comfortable in little clothing; its part of my job.
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Every job is important because each one represents an American's livelihood and ability to raise a family. Yet spending our time building walls around America will do nothing to help us compete for the millions of new jobs being created.
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We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.
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In America there's no way I can make the kind of movie I like to make.
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America traditionally represents the greatest possibility of someone's going from nothing to something. Why? In theory, if not practice, the government stays out of the way and lets individuals take risks and reap rewards or accept the consequences of failure. We call this capitalism - or, at least, we used to.
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All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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I think there's a danger of a being typecast as the all-American mom forever.
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I love taking prints, embroidery, appliques - precious things that seem to be from another time - and using them to create a contemporary, new story.
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I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
