Gemma Files Quotes
I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I always knew would be some sort of artist, but didn't know what.
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It's such a Bore Being always Poor.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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I always separated sports and my personal life.
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One always wonders about roads not taken.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm always investing. I'm constantly in talks with someone about some opportunity.
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I'm being mocked because I don't live up to a socially determined view of what other people think a person should look like.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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There isn't much room for an outsider point of view in print any more.
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I guess I'm kind of used to it because it's always been that way for me.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Always, in every human action, there are leaders.
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While our amplified knowledge of genetics - and the increasing precision of the field - does make it tempting to take on celebrity cases, retro-genetics can't always provide clear answers.
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I think I represent a more left-wing view of what jazz is.
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I love coming to Las Vegas. I've always loved it and always had a good time.
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For me, with me, making a film is always about humanity.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
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I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.
