Ziggy Marley Quotes
If food is labeled, some people might choose to eat stuff that's genetically modified. They might decide they love it. But give us a choice.
Quotes to Explore
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For his own vindictive purposes, Jeffrey Sterling carelessly disclosed extremely valuable, highly classified information that he had taken an oath to keep secret.
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When I do a character, I try to base it on someone I have met or an experience I've had.
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I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
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I'm a nationalist. I'm a patriot. Nothing is wrong. I'm a born Hindu. Nothing is wrong. So, I'm a Hindu nationalist, so yes, you can say I'm a Hindu nationalist because I am a born Hindu, I'm patriotic, so nothing is wrong in it.
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A ton of little girls I talk to, they want to be actresses or singers or models.
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I don't believe love goes away just because you're buried in a casket.
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We don't want to be treated any differently, and we want to continue with our lives and our careers.
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Hollywood's all about, 'Let's make this easy: This is what you do, so you go over here in this group, and we're not gonna call you.'
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I and life: The case was settled chivalrously. The opponents parted without having made up.
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When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.
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It was to do with information management. The intention was to dramatise it.
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Part of the reason I sort of shot out like a cannon out of Michigan and left home at such an early age is because I had to feel independent.
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You are an athlete when you're onstage. You can't get tired.
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I'm an all-or-nothing person.
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I had been impressed by the fact that biological systems were based on molecular machines and that we were learning to design and build these sorts of things.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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My first languages are German and Spanish because I was brought up by a Spanish mother and a German father, so I always spoke both languages at home. I'm very thankful that I was brought up in a bilingual house.
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Temperamentally I'm not a natural producer, because I don't have the patience.
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It occurred to me that memorials shouldn't be grand. If you really want to honor the memory of a tragedy, you shouldn't create areas of calm reflection. You should make people uncomfortable. Put them in the shoes of those who perpetrated and those who suffered. Then ask, would they be able to forgive in these situations?
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Because I'm a performer I can justify and sometimes sell the things about me that offend and shock the conventional world. I need to live life in the fast lane. I need to do things to excess. I need to go over the edge. I have an obligation to experience the things most people can't experience. The taboos. The things you're not supposed to know or do. That's part of my job. That's why I do it. I would probably do it anyway.
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Their forms had no more influence on me than they did on Matisse. Or Derain. But for them, the masks were sculptures like all others. When Matisse showed me his first African head, he spoke to me of Egyptian art.
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I want to remind women of color out there to stand your ground, and don't ever be afraid to speak up.
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I argued strongly to the American publisher that 'Reality Hunger' should come out first. They thought that 'The Thing About Life' would have more appeal because it's on a broader topic; it's about mortality rather than art.
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If food is labeled, some people might choose to eat stuff that's genetically modified. They might decide they love it. But give us a choice.
