Kiersten White Quotes
And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you.
Quotes to Explore
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The single most powerful element of youth is our inability to know what's impossible.
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As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.
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The next step for me with the Up is how it talks with the rest of the home. It's an object that can tell the home where I am and what I'm doing.
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I try to give the appearance that I have it all together and that I know what I'm talking about, but at the end of the day, I think I might be full of crap.
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I make mistakes on a very grand scale.
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There's nothing wrong with constructive criticism, and I learn from that and better myself. I'm not expecting anyone to be sycophantic in any way; I never expected that.
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I do go into things thinking, 'Right. I'm going to enjoy this.'
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I have a condition called Aspergers Syndrome, which is like a mild form of autism It means I don't interact properly in certain social situations.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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I love my sleep.
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I'm completely in love with the idea of love.
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The historian is a prophet looking backward.
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I learned that when you stand up for what you believe in, you'll get a lot of support. But there are always going to be negative things said about you.
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Where radio is different than fiction is that even mediocre fiction needs purpose, a driving question.
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I don't wear plaid shirts.
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All the skills of housewifery are the ones I'm using as a producer.
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Jail is definitely not cool. Education is.
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I try to listen to my children. I try to change with my children.
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The gaudy leonine sunflower Hangs black and barren on its stalk, And down the windy garden walk The dead leaves scatter,- hour by hour.
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I don't think people ever were free of fear of death, but clinging to life and being so unprepared for it is a modern experience.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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Be careful who you choose as your enemy because that's who you become most like.
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And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you.
