Zadie Smith Quotes
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
Quotes to Explore
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Indians invest more in Britain than in the rest of European Union combined. It is not because they want to save on interpretation costs, but because they find an environment that is welcoming and familiar.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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We had a few non-fiction books at home, but my dad was of the opinion that fiction was a complete and utter waste of time because it wasn't real - so what was the point of reading it?
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Society exists only as a mental concept; in the real world there are only individuals.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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As far as actors go, you're not going to find many ballplayers better than me.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
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I want to be a better writer. I want to learn and grow, to know how to tell stories in a different and more challenging way. I've learned it doesn't get easier each time. It actually gets harder.
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You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.
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Real love is a permanently self-enlarging experience.
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I will just generalise it that anything that I find too disgusting is not worth an answer.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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Writers of historical fiction are not under the same obligation as historians to find evidence for the statements they make. For us it is sufficient if what we say can't be disproved or shown to be false.
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I like doing a bunch of different things, being all over the place.
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A campaign gives you focus. You wake up to a different hotel alarm clock every day, but you know your mission.
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I was a book editor for nine years. I'm familiar with the opposite experience, bracing myself for the likelihood that no one would want to publish my book.
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We did not receive cooperation from various departments, but still we are able to provide the tablet to the people.
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Black people comprehend the South. We understand its weight. It has rested on our backs... I knew that my heart would break if ever I put my foot down on that soil, moist, still, with old hurts. I had to face the fear/loathing at its source or it would consume me whole.
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I was fine with everything except Maths. I was terrible at Maths.
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You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
