Zadie Smith Quotes
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
Quotes to Explore
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The artist is the medium between his fantasies and the rest of the world.
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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I was asking Charlie the most important questions, and you heard the answers.
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Many past products advertised in old publications can be profitably promoted all over again. Sometimes, just by giving them a new twist or modern application, you'll hit a real winner.
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No genuinely avant-garde artist should ever be on the government dole.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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Mainly, I hope to inspire honesty. We live in a space where so much can be manipulated, and so much is expected to be manipulated - curated, contrived, edited. I think that's a real detriment to self expression and happiness in a lot of ways. In my mind, honesty and vulnerability is the way forward.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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Now I'm an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
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The beauty of Judaism is that it demands we ask questions, especially of ourselves.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
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I'm not frightened about terrorism. I'm frightened about the roots of what we call terrorism.
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One mind can think only of its own questions; it rarely surprises itself.
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Every Yom Kippur, Jewish tradition requires a strict spiritual inventory. You aren't supposed to just sit around feeling guilty, but to take action in the real world to set things right.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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I also think there has to be real guidance, ... So they can rule and tell people and give them guidance before they take a trip about what's right and what's acceptable.
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The evidence for our New Testament writings is ever so much greater than the evidence for many writings of classical authors, the authenticity of which no one dreams of questioning. And if the New Testament were a collection of secular writings, their authenticity would generally be regarded as beyond all doubt.
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It's amazing how the biggest things in our lives - when we're around the fireplace and talking about them when we're older - the things that matter the most to us start off amazingly small and in a humble way.
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The innovator has for enemies all who have done well under the old, and lukewarm defenders in those who may do well under the new.
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And I don't believe that women can successfully have it all. I really don't.
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The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
