George Elliott Clarke Quotes
Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language.
Quotes to Explore
-
I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
-
I've had five weddings but if I'm really honest and if I count significant de factos... I've had nine husbands... which sounds appalling but when you consider I started at 18 and I'm 65 it's not so bad.
-
Should the time come when the county family will be taken away, then the parish will feel for some time like a mouth from which a molar has been drawn - there will be a vacancy that will cause unrest and discomfort.
-
I had cottage cheese for lunch and a glass of wine when I got home tonight.
-
I don't think it is just in the world of politics. The lack of civility in society as a whole, some of it, I believe, is very much fueled by social media and frankly, it's fueled by the fact that journalism is not journalism any more.
-
I want to be a real artist to consumers. I want to be the real thing for them.
-
I was working at the NSA. I don't know, I was just bored. I just knew that's not what I was supposed to be doing with my life.
-
I wasn't being bullied at school at this point. I had a group of friends, and I was isolated because I wasn't communicating with my parents. I wasn't telling them what I was going through.
-
I was addicted to the original 'Star Trek' when I was growing up, because of my dad. We grew up in St. Helens, Oregon and we weren't allowed to watch a lot of TV.
-
I wear a lot of boyish stuff, but I prefer to throw a fur coat on top just for the hell of it.
-
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
-
Opera in English is, in the main, just about as sensible as baseball in Italian.
-
You do not chop off a section of your imaginative substance and make a book specifically for children, for - if you are honest - you have no idea where childhood ends and maturity begins. It is all endless and all one.
-
Usually when I write a song, I'll write the music and then kind of fit some words to it.
-
I meant that the Chinese people are not aware of their own entrapment. They believe they live in a free society, but don't realize how much they are being monitored and controlled, how much the information they receive is restricted and warped, until they step out of line, that is, and feel the heavy hand of the state fall on them.
-
Wearable technology is not just for consumers. It creates a tremendous opportunity for businesses, too.
-
The thought about Republicans is, we're supposed to be Jeffersonian. That government governs the best that governs the least.
-
Candy apple red is my favorite color. It's a powerful color to wear. It's always been that way - I've always been really attracted to that color.
-
Cinema can transform pain and trauma into something beautiful.
-
My name was originally John Collins, but I just didn't think it had the flair I needed. I found out the poet laureate of Poland was named Krasinski and so it seemed like a shoe-in for show business.
-
Nothing about economic growth in the United States over the course of the past 40, 50 years, during which time this has been continually happening, would indicate that we are being harmed in an overall sense by this.
-
Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language.
