George Gilfillan Quotes
The language of imagination is the native language of man. It is the language of his excited intellect, of his aroused passions, of his devotion, of all the higher moods and temperaments of his mind.
Quotes to Explore
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So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
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With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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Will and intellect are one and the same thing.
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In schools giving students a full education, not to create great artists but about the right to have full expression and imagination and creativity, along with an acknowledgement that everybody learns differently. You try and you fail and you try again. All those skills are useful in the workplace, too.
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Indian writers have appropriated English as an Indian language, and that gives a certain freshness to the way we write.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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We humans lack imagination, to the point of not even knowing what tomorrow's important things will look like.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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Watch how you communicate with a woman. Because you're always communicating, even when you're not talking - with your body language, your facial expressions, your eyes.
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I have no idea why I write. The old standards are: I like to express my feelings, stretch my imagination, earn money.
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There's no great mystery to acting. It's a very simple thing to do but you have to work hard at it. It's about asking questions and using your imagination.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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I think with all my books, language has been their subject as much as anything else. Language can elide or displace or sideline whole groups of people. You can't necessarily change the way language is used, but if it becomes something you're conscious of... that gives you a certain power over it.
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The quality of our thoughts is bordered on all sides by our facility with language.
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Maybe Trump isn't a racist in private. But he's sure acting like one in public. And his body language is corroborating the evidence.
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I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
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Don't be afraid of your own power.
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Our dignity is not in what we do, but what we understand.
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The language of imagination is the native language of man. It is the language of his excited intellect, of his aroused passions, of his devotion, of all the higher moods and temperaments of his mind.
