Tariq Ali Quotes
We were constantly appealing for funds from readers when I edited 'The Black Dwarf' in 1968-69.
Quotes to Explore
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From the day of its birth, the anomaly of slavery plagued a nation which asserted the equality of all men, and sought to derive powers of government from the consent of the governed. Within sound of the voices of those who said this lived more than half a million black slaves, forming nearly one-fifth of the population of a new nation.
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Every ghetto you go to, Latinos and blacks are the two people that are together. We don't look at each other in any different way, like 'He's black; I'm Latino.' I look at us as one.
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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I just see religious freedom, as a category, as just being a black hole.
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Because of where I come from, I never thought I'd see in my life a black candidate running for President.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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Writers are storytellers. So are readers.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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Redlining went beyond FHA-backed loans and spread to the entire mortgage industry, which was already rife with racism, excluding black people from most legitimate means of obtaining a mortgage.
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I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
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A major problem for Black women, and all people of color, when we are challenged to oppose anti-Semitism, is our profound scepticism that white people can actually be oppressed.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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If your response to the first black president is to say they weren't born in this country... you might be a white supremacist.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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It takes ground activity to stimulate that Black vote.
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I don't care if you're purple. If you're making a catch or going to go down, you could be silver. I couldn't care less, if you're making those plays for the team. If you're a selfless player, nobody pays attention to that at all. White, black, silver, pink, it doesn't matter to me.
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I had a high school sweetheart that was my first. We were together all through high school. I had just broken up with him because I didn't think I was good enough. He wanted to be an anesthesiologist. I wanted to be an entertainer. His life was more planned out, and mine wasn't.
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I don't think they like the idea that the people who are buying the record get to choose what goes out, because it's their job. The fans even pre-ordered stock to make sure that I had some sort of presence.
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I was fascinated by movies from age 12.
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It's most beautiful thing about my work. I have reached people who I would never have known without my work.
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We were constantly appealing for funds from readers when I edited 'The Black Dwarf' in 1968-69.
